Conversations with Clarence Major
著者
書誌事項
Conversations with Clarence Major
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c2002
- : cloth
- : pbk
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
For over forty years, Clarence Major (b. 1936) has engaged several artistic and literary pursuits, garnering acclaim for his paintings, edited anthologies, poetry collections, essays, and novels. His work within literature ranges from his popular dictionary of slang, Juba to Jive: A Dictionary of African-American Slang (1994), to such experimental novels as Emergency Exit (1979), Reflex and Bone Structure (1975), and My Amputations (1986). He has gained a reputation as one of America's most visionary and experimental African American writers. In Conversations with Clarence Major, the author comments thoughtfully on the diverse nature of his work. Major explores his influences, the methods he applies to the different types of writing he does, and his childhood in Atlanta and Chicago's South Side. The same openness and curiosity that make his work so various and rich allow Major to focus on and respond to each interviewer's concerns. Journalists, scholars, and show hosts pose questions about particular works, about the different ways Major creates, about his teaching of writing, about his views of nature, and about youth. In interviews from 1969 to 2001, Major transforms every interview into an encounter that informs him as well as the interviewer. His interest in the dynamic nature of language and life emerges in several discussions. ""If language didn't change, it would die,"" he says in a 1994 interview. ""It has to constantly change and evolve even if we're speaking at a small, secret level. It has to grow. Words are like organic things--they don't just go on. Some are reborn in different form."" Featuring a previously unpublished interview with the volume's editor, as well as conversations with such notables as Larry McCaffery, Conversations with Clarence Major shows how the mind of an enormously talented and multifaceted artist works while conveying a sense of the generosity and optimism that keep Clarence Major experimenting and learning.
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