Latino/a popular culture
著者
書誌事項
Latino/a popular culture
New York University Press, c2002
- : pbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres
Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory.
In Latino/a Popular Culture, Habell-Pallan and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres-media, culture, music, film, theatre, art, and sports-that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada.
Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Davila, Melissa A. Fitch, Michelle Habell-Pallan, Tanya Kateri Hernandez, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodriguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sanchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco.
Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.
目次
1 Talking Back: Spanish Media and U.S. Latinidad 2 Barbie's Hair: Selling Out Puerto Rican Identity in the Global Market 3 The Buena Vista Social Club: The Racial Politics of Nostalgia 4 "Lemme Stay, I Want to Watch": Ambivalence in Borderlands Cinema 5 Encrucijadas: Ruben Blades at the Transnational Crossroads 6 "The Sun Never Sets on MTV": Tijuana NO! and the Border of Music Video 7 Bidi Bidi Bom Bom: Selena and Tejano Music in the Making of Tejas 8 Hip Hop and New York Puerto Ricans 9 Paul Simon's The Capeman: The Staging of Puerto Rican National Identity as Spectacle and Commodity on Broadway 10 Gender Bending in Latino Theater 11 "Don't Call Us Hispanic": Popular Latino Theater in Vancouver 12 A Decidedly "Mexican" and "American" Semi[er]otic Transference 13 Performing Multiple Identities: Guillermo Gomez-Pena and His "Dangerous Border Crossings" 14 Learning America's Other Game: Baseball, Race, and the Study of Latinos 15 Futbol Nation: U.S. Latinos and the Goal of a Homeland 16 Boxing and Masculinity: The History and (Her)story of Oscar de la Hoya
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