Style and politics in Athenian vase-painting : the craft of democracy, ca. 530-460 B.C.E.
Author(s)
Bibliographic Information
Style and politics in Athenian vase-painting : the craft of democracy, ca. 530-460 B.C.E.
（Cambridge studies in classical art and iconography）
Cambridge University Press, 2002
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Note
Includes bibliographical references (p. 265-293) and index
Description and Table of Contents
Description
The pictures on Athenian vases of the late Archaic period often play upon the tension between an image and its material support, and between the sense of depth and the sense of surface. Richard Neer's study tracks design and imagery on Athenian vases in four domains: the symposium, with its elaborate riddles and poems; the development of 'naturalistic' techniques, such as foreshortening and shading; the birth of self-portraiture at the end of the sixth century; and the treatment of overtly political subject-matter in the early democracy. In each case, formal ambiguity provided vase painters and their audiences with a means of creating new conceptions of civic identity. Focusing on 'how pictures show what they show' leads the author to a re-examination of basic ideas about Greek art and its history, with particular regard to naturalism, realism, allegory, and the relation of ceramics to social life.
Table of Contents
- Introduction: Greek revolutions revised
- 1. The Greek symposium and the politics of adornment
- 2. The evolution of naturalism: or, drawing the net
- 3. 'Crafted without flaw': making painters in the age of Kleisthenes
- 4. Diallage: iconography and the improvisation of democracy
- Conclusion: figures and politics.
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