Critical vices : the myths of postmodern theory
著者
書誌事項
Critical vices : the myths of postmodern theory
（Critical voices in art, theory and culture）
G&B Arts International, c2000
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内容説明・目次
内容説明
This book of Nicholas Zurbrugg's challenging and provocative essays charts the most exciting developments in late 20th-century multimedia art. Zurbrugg challenges Jean Baudrillard's, Fredric Jameson's, and Achille Bonito-Oliva's unfavorable accounts of postmodern techno-culture. Interweaving literary and cultural theory, and visual studies, Zurbrugg demonstrates how multimedia visionaries such as Bill Viola and Robert Wilson are notable exceptions to the neutering of mass-media culture, bringing together the modernist and postmodern avant-garde.
目次
Introduction to the Series - Saul Ostrow Acknowledgements One of Two Final Thoughts ( A Retrospective Preface) - Nicholas Zurbrugg Essays - Nicholas Zurbrugg 1. Marinetti, Boccioni and Electroacoustic Poetry: Futurism and After 2. The Limits of Intertexuality: Barthes, Burroughs, Gysin, Culler 3. Postmodernity, Metaphore Manquee and the Myth of the Trans-avant-garde 4. Baudrillard's Amerique and the "Abyss of Modernity" 5. Jameson's Complaint: Video Art and the Intertextual "Time-Wall" 6. Postmodernism and the Multimedia Sensibility: Heiner Muller's Hamletmachine and the Art of Robert Wilson 7. Baudrillard, Modernism and Postmodernism 8. "Apocalyptic"? "Negative"? "Pessamistic"?: Baudrillard, Virilio and Technoculture 9. Baudrillard, Giorno, Viola and the Technologies of Radical Illusion Commentary - Warren Burt 10. Zurbrugg's Complaint, or How an Artist Came to Criticize a Critic's Criticism of the Critics Notes Sources Index
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