Music in the works of Broch, Mann, and Kafka
著者
書誌事項
Music in the works of Broch, Mann, and Kafka
（Studies in German literature, linguistics, and culture / edited by James Hardin）
Camden House, c2002
大学図書館所蔵 全4件
注記
Includes bibliographical referenced index
内容説明・目次
内容説明
This book throws new light on aspects of the works of Broch, Mann, and Kafka.
The German Romantic critic Friedrich Schlegel saw music as a paradigm of art, and wished to bring the qualities of music to literature. Schopenhauer saw in music a direct manifestation of the Will, and thus as the highest form ofart. This study examines the ironic influence of these and similar ideas of music's primacy among the arts on three of the most important modern writers of German: Hermann Broch, Thomas Mann, and Franz Kafka. Of the three, Broch takes Schlegel's idea furthest: His novel The Death of Vergil uses the constructive techniques and sonorities of music to extend the cognitive reach of his writing to the non- or supraverbal, and Hargraves traces similar concerns across Broch's career. Unlike Broch, Mann saw in musicality a peculiarly German access to the dark forces within the human psyche. Music is the `glass' through which the reader sees the development of the anti-hero Hans Castorp in Mann's Magic Mountain. In Doktor Faustus, on the other hand, the hero Leverkuhn conjures with demonic powers to create fictional music; his `strict style' is itself an allegory of the political realities of the 20th century. Kafka admitted that he had little appreciation for music, but two of his important shorter works. `Josefine the Singer,' and `Investigations of a Dog,' transform this `unmusicality' into an enigmatic essay on the uses and limits of art. Hargraves uncovers surprisingly parallel concerns among these three very different writers.
John Hargraves is assistant professor of German at Connecticut College, New London, Connecticut.
目次
Introduction
Hermann Broch: Biographical Background
Broch's Discursive Writings on Music
The Spell
The Guiltless and Don Giovanni
Musical Ideas in Hugo von Hofmannsthal and His Time
Music in The Sleepwalkers
Music, Silence and Time: The Architectonics of The Death of Virgil
Thomas Mann's Two Music Novels: The Magic Mountain and Doctor Faustus
Kafka and Silence: a Negative View
Conclusions
Works Cited
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