Politics and history in William Golding : the world turned upside down
著者
書誌事項
Politics and history in William Golding : the world turned upside down
University of Missouri Press, c2002
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
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注記
Includes bibliographical references (p. 239-254) and index
内容説明・目次
内容説明
Provides a politicized and historicized reading of William Golding's novels as a counter to previous, universalizing criticism. Paul Crawford here argues that an understanding of fantastic and carnivalesque modes in Golding's work is vital if we are to appreciate fully his interrogation of 20th-century life. Golding's early satirical novels question English constructions of national identity in opposition to Nazism and the ""totalitarian personality"". For Crawford, Golding can and must be studied in the wider European tradition of ""literature of atrocity"". His early novels, especially ""Lord of the Flies"", are preoccupied with atrocity, whereas the later work betrays a greater concern for the status of language and literature. In Golding's later fiction, like ""Darkness Visible"", the fantastic and carnivalesque are used in an increasingly nonsatirical manner to complement first modernist and then postmodernist self-consciousness and indeterminacy. Even his critique of class and religious authority, which carries through all of his fiction, gives way to more lighthearted productions - a symptom of which is his crude, absurd attack against the English literary industry in ""The Paper Men"". This reduction of satire marks a decline in Golding's political commitment and the production of more complex and arguably less satisfying novels. The fantastic and carnivalesque are foundational to both the satirical and nonsatirical approaches that mark Golding's early and late fiction. Crawford directly links Golding's various deployments of the fantastic and carnivalesque to historical, political, and social change.
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