Mexico City in contemporary Mexican cinema
著者
書誌事項
Mexico City in contemporary Mexican cinema
University of Texas Press, 2002
- : hardcover
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. [165]-166
Bibliography: p. [167]-171
Includes index
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9780292725416
内容説明
Just as Mexican national life has come to centre on the sprawling, dynamic, almost indefinable metropolis of Mexico City, so recent Mexican cinema has focused on the city not merely as a setting for films but almost as a protagonist in its own right, whose conditions both create meaning for and receive meaning from the human lives lived in its midst. Through close readings of fourteen recent critically acclaimed films, this book watches Mexican cinema in this process of producing cultural meaning through its creation, enaction, and interpretation of the idea of Mexico City. David William Foster analyses how Mexican filmmakers have used Mexico City as a vehicle for exploring such issues as crime, living space, street life, youth culture, political and police corruption, safety hazards, gender roles, and ethnic and social identities. The book is divided into three sections. "Politics of the City" examines the films Rojo amanecer, Novia que te vea, Frida, naturaleza viva, and Sexo, pudor y lagrimas. "Human Geographies" looks at El Callejon de los Milagros, Mecanica nacional, El castillo de la pureza, Todo el poder, and Lolo.
"Mapping Gender" discusses Danzon, De noche vienes, Esmeralda, La tarea, Lola, and Entre Pancho Villa y una mujer desnuda.
目次
- Preface
- Acknowledgements
- 1. Politics of the City
- Rojo amanecer
- Novia que te vea
- Frida, naturaleza viva
- Sexo, pudor y lagrimas
- 2. Human Geographies
- El Callejon de los Milagros
- Mecanica nacional
- El castillo de la pureza
- Todo el poder
- 3. Mapping Gender
- De noche vienes, Esmeralda
- La tarea
- Entre Pancho Villa y una mujer desnuda
- Afterword
- Filmography
- References
- Index
- 巻冊次
-
: pbk ISBN 9780292725423
内容説明
Just as Mexican national life has come to center on the sprawling, dynamic, almost indefinable metropolis of Mexico City, so recent Mexican cinema has focused on the city not merely as a setting for films but almost as a protagonist in its own right, whose conditions both create meaning for and receive meaning from the human lives lived in its midst. Through close readings of fourteen recent critically acclaimed films, this book watches Mexican cinema in this process of producing cultural meaning through its creation, enaction, and interpretation of the idea of Mexico City.
David William Foster analyzes how Mexican filmmakers have used Mexico City as a vehicle for exploring such issues as crime, living space, street life, youth culture, political and police corruption, safety hazards, gender roles, and ethnic and social identities. The book is divided into three sections. "Politics of the City" examines the films Rojo amanecer,Novia que te vea,Frida, naturaleza viva, and Sexo, pudor y lagrimas. "Human Geographies" looks at El Callejon de los Milagros,Mecanica nacional,El castillo de la pureza,Todo el poder, and Lolo. "Mapping Gender" discusses Danzon,De noche vienes,Esmeralda,La tarea,Lola, and Entre Pancho Villa y una mujer desnuda.
目次
Preface
Acknowledgments
1. Politics of the City
Rojo amanecer
Novia que te vea
Frida, naturaleza viva
Sexo, pudor y lagrimas
2. Human Geographies
El Callejon de los Milagros
Mecanica nacional
El castillo de la pureza
Todo el poder
Lolo
3. Mapping Gender
Danzon
De noche vienes, Esmeralda
La tarea
Lola
Entre Pancho Villa y una mujer desnuda
Afterword
Notes
Filmography
References
Index
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