Petronius and the anatomy of fiction

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Petronius and the anatomy of fiction

Victoria Rimell

Cambridge University Press, 2002

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注記

Includes bibliographical references (p. 210-226) and indexes

内容説明・目次

内容説明

Petronius' Satyricon, long regarded as the first 'novel' of the Western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and repackaged as a morality tale. This reading of the surviving portions of the work shows how the Satyricon fuses the anarchic and the classic, the comic and the disturbing, and presents readers with a labyrinth of narratorial viewpoints. Dr Rimell argues that the surviving fragments are connected by an imagery of disintegration, focused on the pervasive Neronian metaphor of the literary text as a human or animal body. Throughout, she discusses the limits of dominant twentieth-century views of the Satyricon as bawdy pantomime, and challenges prevailing restrictions of Petronian corporeality to material or non-metaphorical realms. This 'novel' emerges as both very Roman and very satirical in its 'intestinal' view of reality.

目次

  • Acknowledgements
  • List of abbreviations
  • Introduction: corporealities
  • 1. Rhetorical red herrings
  • 2. Behind the scenes
  • 3. The beast within
  • 4. From the horse's mouth
  • 5. Bella intestina
  • 6. Regurgitating Polyphemus
  • 7. Scars of knowledge
  • 8. How to eat Virgil
  • 9. Ghost stories
  • 10. Decomposing rhythms
  • 11. Conclusion: licence and labyrinths
  • Appendices
  • Bibliography
  • Index of passages discussed
  • Index of subjects.

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