The visual turn : classical film theory and art history
著者
書誌事項
The visual turn : classical film theory and art history
（Rutgers depth of field series）
Rutgers University Press, [c2003]
- : hbk
- : pbk
- タイトル別名
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The visual turn
大学図書館所蔵 件 / 全7件
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該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [252]-265) and index
内容説明・目次
- 巻冊次
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: hbk ISBN 9780813531724
内容説明
This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. "The Visual Turn" is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II. Its aim is to broaden the horizons of film studies, while making students of art history more comfortable when they approach the key texts of classical film theory. Through pairings of articles, the book demonstrates that an implicit dialogue between art historians and film specialists has enriched both fields for decades. By combining original essays, reprints, and translations from French and Italian, the two disciplines speak about rich issues such as: iconophobia, iconophilia and iconoclasm; haptic and optical images; cognitivism and aesthetics; visual form, history and technology.
- 巻冊次
-
: pbk ISBN 9780813531731
内容説明
A collection of cutting-edge articles that demonstrate an implicit dialogue between art historians and film specialists.
The Visual Turn is a cutting-edge dialogue between art historians and film theorists from the silent period to the aftermath of World War II. Its aim is to broaden the horizons of film studies, while making students of art history more comfortable when they approach the key texts of classical film theory.
Through pairings of articles, The Visual Turn demonstrates that an implicit dialogue between art historians and film specialists has enriched both fields for decades. By combining original essays, reprints, and translations from French and Italian, The Visual Turn makes this little-known dialogue between two disciplines speak about such rich issues as: iconophobia, iconophilia, and iconoclasm; haptic and optical images; cognitivism and aesthetics; visual form, history, and technology.
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