Symbolist journals : a culture of correspondence
著者
書誌事項
Symbolist journals : a culture of correspondence
（Studies in European cultural transition / general editors, Martin Stannard and Greg Walker, v. 13）
Ashgate, c2002
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注記
Includes bibliographical references (p. [321]-348) and index
内容説明・目次
内容説明
In this title, the author argues that in the pages of Symbolist journals the modern reader can unearth an "other" 19th century, revealed as a creative realm in which writers allow themselves more artistic freedom than in their more formal, literary creations. In the journal they tested experimental theories, composed offbeat poetic texts and offered their opinions on a vast array of cultural phenomena. The aim of the book is to show that the Symbolist journals bear witness to a more personal, erratic, and innovative face of an aesthetic movement and a historical moment that have in many ways become cliched. The author also suggests that the development of interdisciplinarity in the Symbolist journals represents an influential aesthetic notion that went on to play a crucial role in 20th-century artistic expression, discernible in the schools of Modernism and Surrealism.
目次
- Introduction - evolution of the critical aesthetic of Symbolism - aesthetics in flux, 19th-century views - "l'enquete" and beyond, 20th-century retrospectives - the move towards negation
- prelude - journalism and art - the historical framework, Romanticism - "les cenacles" and "Le globe", the Parnassians and "Le Parnasse contemporain", the clamour of anarchism. Part 1 The word - poetry and aesthetic thought: the pre-symbolist years - "le fumisme" and the early periodicals - clubs, clans and "fumiste" society, "l'hydropathe", "le chat noir", "Lutece"
- Verlaine or Mallarme - "decadence" or "symbolisme"? - "de la decadence au symbolisme", Verlaine and the decadent voice, Mallarme as "chef d'ecole"
- "la guerre des petites revues" - scandals of theory and ideology - the manifesto - Jean Moreas and "le symbolisme", a plethora of journals - a war of words, a final flourish - the 1890s. Part 2 The image - painting and the visual arts: the trials of impressionism - impressionist culture, impressionism and the press, the claim of naturalism - two voices, a symbolist view -Mallarme's portrait of Edouard Manet
- symbolist painting and the literary problem - the symbol and the word, "la revue blanche" and the interdisciplinary stance, Maurice Denis - the religion of classical symbolism, Georges-Albert Aurier - the joy of symbolism, Gustave Moreau - poet or painter?
- the decentralization of power -critical responses to the salon - historical context - growing dissatisfaction, the outrage of the critics, Felix Feneon and the communication of art, Octave Mirbeau - "la critique a coups de marteau". Part 3 The sound - music and "la musicalite": the development of a critical voice - historical origins of French musical criticism, a century of change, the post-1870 boom, critical authority - writer or musician?
- the turbulent relationship of symbolism and music - music and symbolism, musical poets and "la musicalite", the polemics of symbolist music - "le vers libre"
- the French response to Richard Wagner - Wagner and the early French press, Baudelaire on Wagner, the height of French Wagnerism - "la revue Wagnerienne", an ambivalent reading of Wagner - Stephane Malarme
- conclusion
- appendices.
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