Rural artists' colonies in Europe, 1870-1910
著者
書誌事項
Rural artists' colonies in Europe, 1870-1910
（The barber institute's critical perspectives in art history series）
Manchester University Press, 2001
- : pbk
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注記
Includes index
Bibliography: p. [205]-222
内容説明・目次
内容説明
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Leon Gerome, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales. -- .
目次
- List of plates
- Acknowledgements
- Map
- Introduction
- Part One: Among artists
- 1. Creative sociability
- Part Two: Artists and villagers
- 2. Painted peasants
- 3. Patrons and publicans
- Part Three: Artists in nature
- 4. Forest interiors
- 5. Landscapes of immersion
- Part Four: Artists and places
- 6. Painting place-myths
- 7. Significant landscapes: tourists in the countryside Epilogue: Artists' villages today
- Gazetteer
- Select bibliography
- Index
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