Hearts of darkness : wellsprings of a southern literary tradition
Author(s)
Bibliographic Information
Hearts of darkness : wellsprings of a southern literary tradition
(The Walter Lynwood Fleming lectures in southern history)
Louisiana State University Press, c2003
- : pbk
Available at 16 libraries
  Aomori
  Iwate
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  Niigata
  Toyama
  Ishikawa
  Fukui
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  Nagano
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  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
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  Okinawa
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Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780807128220
Description
From Edgar Allan Poe's "dark fore-bodings" to Kate Chopin's lifelong struggle with sorrow and loss, depression has shadowed southern letters. This beautifully realized study explores the defining role of melancholy in southern literature from the early nineteenth century to the early twentieth, when it evolved into modernist alienation. While creativity and depression have been linked throughout Western history, Bertram Wyatt-Brown argues that nineteenth-century southern culture was hospitable to a distinctive melancholy that impelled literary production. Deeply marked by high death rates, social dread, and bitter defeat, white southerners imposed a climate of parochial pride, stifling conventions of masculinity, social condescension, and mistrust of intellectualism. Many writers experienced a conscious or unconscious alienation from the prevailing social currents. And they expressed emotional turmoil in and through their writing. Hearts of Darkness develops original insights into the lives and creative impulses of both major and more obscure writers.
Discussing individuals as diverse as William Gilmore Simms, Mark Twain, Constance Fenimore Woolson, Sidney Lanier, and Ellen Glasgow, Wyatt-Brown identifies a close association between creativity and psychological distress. This connection helps to explain southern literary engrossment with defeat and violence - together with a disposition for the romantic, gothic, and grotesque styles - well before William Faulkner and the male Southern Renaissance. Wyatt-Brown also finds that the first authors to break away from the sentimental modes to explore new psychological terrain were women whose depression ironically furnished them with critical dispassion. A major reinterpretation of the South's fertile literary culture, Hearts of Darkness intensifies our regard for both southern writers and the fruits of pen and paper.
- Volume
-
: pbk ISBN 9780807128442
Description
From Edgar Allan Poe's ""dark forebodings"" to Kate Chopin's lifelong struggle with sorrow and loss, depression has shadowed southern letters. This beautifully realised study explores the defining role of melancholy in southern literature from the early nineteenth century to the early twentieth, when it evolved into modernist alienation.
While creativity and depression have been linked throughout Western history, Bertram Wyatt-Brown argues that nineteenth-century southern culture was hospitable to a distinctive melancholy that impelled literary production. Deeply marked by high death rates, social dread, and bitter defeat, white southerners imposed a climate of parochial pride, stifling conventions of masculinity, social condescension, and mistrust of intellectualism. Many writers experienced a conscious or unconscious alienation from the prevailing social currents. And they expressed emotional turmoil in and through their writing.
Hearts of Darkness develops original insights into the lives and creative impulses of both major and more obscure writers. Discussing individuals as diverse as William Gilmore Simms, Mark Twain, Constance Fenimore Woolson, Sidney Lanier, and Ellen Glasgow, Wyatt-Brown identifies a close association between creativity and psychological distress. This connection helps to explain southern literary engrossment with defeat and violence, together with a disposition for the romantic, gothic, and grotesque styles, well before William Faulkner and the male Southern Renaissance. Wyatt-Brown also finds that the first authors to break away from the sentimental modes to explore new psychological terrain were women whose depression ironically furnished them with critical dispassion. Imaginative detachment in writers such as Willa Cather enabled them to create luminous characters and settings while heralding literary modernism.
A major reinterpretation of the South's fertile literary culture, Hearts of Darkness intensifies our regard for both southern writers and the fruits of pen and paper.
by "Nielsen BookData"