Master potter of Meiji Japan : Makuzu Kōzan (1842-1916) and his workshop
著者
書誌事項
Master potter of Meiji Japan : Makuzu Kōzan (1842-1916) and his workshop
(Oxford Oriental monographs)
Oxford University Press, 2002
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [151]-163) and index
内容説明・目次
内容説明
This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Miyagawa Kozan (1842 - 1916), also known by the art name of Makuzu Kozan, who was acclaimed as one of the greatest ceramic artists of the Meiji period. The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story of Kozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormous success, both in Japan and abroad at the international exhibitions that flourished from the 1850s. Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware.
Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop and relates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America. Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercial factors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry.
目次
- 1. Kozan's Kyoto Background
- 2. The Establishment of the Makuzu Workshop
- 3. The Early Days of the Makuzu Workshop
- 4. Developments in Makuzu Ware in the Early Meiji Period
- 5. Developments in Makuzu Ware in the Late Meiji Period
- 6. Later Generations of the Miyagawa Family
- Conclusion
- Appendix A: Miyagawa Family Tree
- Appendix B: Chronological Development of Marks and Box Inscriptions
- Appendix C: Lists of Workers at the Makuzu Workshop in 1877 and 1881
- Appendix D: Kozan's Workshop Notes
- Appendix E: Itaka Kizan Archive
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