Matsuri! : Japanese festival arts
著者
書誌事項
Matsuri! : Japanese festival arts
(UCLA Fowler Museum of Cultural History textile series / Doran H. Ross ... [et al.], no. 6)
UCLA Fowler Museum of Cultural History, c2002
- : softcover
大学図書館所蔵 全26件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 251-254) and index
内容説明・目次
- 巻冊次
-
ISBN 9780930741914
内容説明
The spectacular Japanese community festivals known as matsuri are centuries old. Even today, in a society driven by technological advancement, these annual rites continue to function as a mechanism for purification and renewal and also to ensure all aspects of communal productivity. The pageantry of these events - their extraordinary dress, performance, and Shinto-Buddhist ritual enactment - brings communities together in an act of worship that is, as well, an extravagant artistic celebration. Dominated by the gorgeous textiles worn by troupes of participants, matsuri also boldly incorporate decorated banners, exquisitely 'dressed' festival wagons, dramatic masks, and elaborate portable shrines. The historical importance of matsuri within the cycle of annual religious events in Japan is also reflected in the representation of these festivals in several pictorial forms, from lavish screen paintings to elegant woodblock prints.This volume identifies and describes the exuberant textiles and costumes of matsuri and considers their significance within their cultural context.
Many of the examples illustrated date from the Meiji period (1868-1912), the last time when handwork was produced by individual artisans for their own use or that of their neighbors. The unique focus on festival arts in this book allows us to identify the special aesthetics that differentiate the textiles worn and used on Japan's holy days. At matsuri a cascade of beautifully crafted garments in vibrant hues meets the eyes, foregrounded distinctly against the hushed simplicity of the Shinto shrine. It is an incredibly vital spectacle of human artistry at the service of a sacred occasion. Matsuri! documents the use of textiles in more than 25 different festivals scattered over the length and breadth of Japan.The book interweaves these textiles with the other arts that constitute matsuri as well as with their symbolic meanings and the history of textile making in Japan. Gorgeous photographs bring the festivals to life. Gloria Granz Gonick is a student of Japanese textiles and culture.
Other contributors include Yo-ichiro Hakomori (adjunct assistant professor of architecture at the University of Southern California), Hiroyuki Nagahara (assistant professor of Japanese at the University of Hawai'i at Manoa), and Herbert Plutschow (professor of East Asian langages and cultures at UCLA and author of "Matsuri: The Festivals of Japan" among other books).
- 巻冊次
-
: softcover ISBN 9780930741921
内容説明
The spectacular Japanese community festivals known as matsuri are centuries old. Even today, in a society driven by technological advancement, these annual rites continue to function as a mechanism for purification and renewal and also to ensure all aspects of communal productivity. The pageantry of these events - their extraordinary dress, performance, and Shinto-Buddhist ritual enactment - brings communities together in an act of worship that is, as well, an extravagant artistic celebration. Dominated by the gorgeous textiles worn by troupes of participants, matsuri also boldly incorporate decorated banners, exquisitely 'dressed' festival wagons, dramatic masks, and elaborate portable shrines. The historical importance of matsuri within the cycle of annual religious events in Japan is also reflected in the representation of these festivals in several pictorial forms, from lavish screen paintings to elegant woodblock prints.This volume identifies and describes the exuberant textiles and costumes of matsuri and considers their significance within their cultural context.
Many of the examples illustrated date from the Meiji period (1868-1912), the last time when handwork was produced by individual artisans for their own use or that of their neighbors. The unique focus on festival arts in this book allows us to identify the special aesthetics that differentiate the textiles worn and used on Japan's holy days. At matsuri a cascade of beautifully crafted garments in vibrant hues meets the eyes, foregrounded distinctly against the hushed simplicity of the Shinto shrine. It is an incredibly vital spectacle of human artistry at the service of a sacred occasion."Matsuri!" documents the use of textiles in more than 25 different festivals scattered over the length and breadth of Japan. The book interweaves these textiles with the other arts that constitute matsuri as well as with their symbolic meanings and the history of textile making in Japan. Gorgeous photographs bring the festivals to life. Gloria Granz Gonick is a student of Japanese textiles and culture.
Other contributors include Yo-ichiro Hakomori (adjunct assistant professor of architecture at the University of Southern California), Hiroyuki Nagahara (assistant professor of Japanese at the University of Hawai'i at Manoa), and Herbert Plutschow (professor of East Asian languages and cultures at UCLA and author of "Matsuri: The Festivals of Japan" among other books).
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