Rereading the Harlem renaissance : race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West
著者
書誌事項
Rereading the Harlem renaissance : race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West
(Contributions in Afro-American and African studies, no. 207)
Greenwood Press, 2002
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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  オランダ
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注記
Includes bibliographical references (p. [153]-156) and index
内容説明・目次
内容説明
African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which privileges characters from middle class backgrounds; and the proletarian, which favors overt critiques of oppression by contending that art should be an instrument of propaganda. Depending on critical assumptions regarding what constitutes authentic African American literature, some writers have been valorized, others dismissed.
This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period. Individual chapters analyze the works of Hurston, West, and Fauset to demonstrate how the folk, bourgeois, and proletarian aesthetics figure into their writings. The volume concludes by discussing the writers in relation to contemporary African American women authors.
目次
Introduction
Deconstructing the Black Bourgeoisie: Subversions and Diversions in the Fiction of Jessie Fauset
"How It Feels to Be Colored Me": Social Protest in the Fiction of Zora Neale Hurston
A Closet Revolutionary: The Politics of Representation in the Fiction of Dorothy West
Conclusion
Selected Bibliography
Index
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