Carlos Saura : interviews
著者
書誌事項
Carlos Saura : interviews
(Conversations with filmmakers series)
University Press of Mississippi, c2003
- : pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. [xxv]-xlv
Includes index
内容説明・目次
内容説明
Thrust into the international spotlight in 1966 when The Hunt, his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since. Best known in the United States for his Flamenco trilogy--Blood Wedding, Carmen, and A Love Bewitched--he also received Oscar nominations for Mama Turns a Hundred, Carmen, and Tango. Saura's movies are frequently ambiguous, sometimes controversial, and always narratively complex. In many of his films, such as Cria and Goya in Bordeaux, he creates sophisticated expressions of time and space by fusing reality with fantasy, past with present, and memory with hallucination. Carlos Saura: Interviews collects interviews the filmmaker has given in Spain, France, Germany, and Canada. All of the conversations appear here in English for the first time, and, as such, they represent a treasure trove of comments by Saura on his own work. Covering the entire spectrum of his career, including his latest film Bunuel and King Solomon's Table, the interviews discuss his early contributions to the New Spanish Cinema, his documentaries and documentary-like urban films, his cinematic essays on historical figures, his dance films, his adaptations of literary and theatrical works, and the films rooted in his personal reminiscences of the Spanish Civil War. In addition, the collection touches upon Saura's efforts as a photographer, opera director, and novelist and explores his friendship with filmmaker Luis Bunuel. These interviews disclose Saura's amazingly consistent approach to his cinema, his role as an auteur, and the principles on which his creativity and intuition continue to build in innovative ways. Linda M. Willem is professor of Spanish at Butler University. She is the author of Galdos's Segunda Manera: Rhetorical Strategies and Affective Response and editor of A Sesquicentennial Tribute to Galdos. Her work has been published in Literature/Film Quarterly, Bulletin of Hispanic Studies, Latin American Literary Review, Letras Peninsulares, and Critica Hispanica.
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