The garden in the machine : a field guide to independent films about place
Author(s)
Bibliographic Information
The garden in the machine : a field guide to independent films about place
University of California Press, c2001
- : cloth
- : pbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 387-446) and index
Description and Table of Contents
- Volume
-
: cloth ISBN 9780520227378
Description
"The Garden in the Machine" explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualizes his discussion with a wide-ranging and deeply informed analysis of the depiction of place in 19th and 20th-century literature, painting and photography. Accessible and engaging, this book examines the manner in which these films represent nature and landscape in particular and location in general. It offers us both new readings of the films under consideration and an expanded sense of modern film history. Among the many antecedents to the films and videos discussed here are Thomas Cole's landscape painting, Thoreau's "Walden", Olmsted and Vaux's Central Park, and Eadweard Muybridge's panoramic photographs of San Francisco. MacDonald analyzes the work of many accomplished avant-garde filmmakers: Kenneth Anger, Bruce Baillie, James Benning, Stan Brakhage, Nathaniel Dorsky, Hollis Frampton, Ernie Gehr, Larry Gottheim, Robert Huot, Peter Hutton, Marjorie Keller, Rose Lowder, Marie Menken, J.J.
Murphy, Andrew Noren, Pat O'Neill, Leighton Pier
Table of Contents
Introduction
1. The Garden in the Machine
Larry Gottheim's Fog Line, Thomas Cole's The Oxbow, J.{ths}J. Murphy's Sky Blue Water Light Sign, Panoramas
2. Voyages of Life
Thomas Cole's The Voyage of Life, Larry Gottheim's Horizons
3. Avant-Gardens
Kenneth Anger's Eaux d'artifice, Marie Menken's Glimpse of the Garden, Carolee Schneemann's Fuses, Stan Brakhage's The Garden of Earthly Delights, Marjorie Keller's The Answering Furrow, Anne Charlotte Robertson's Melon Patches, Or Reasons to Go on Living, Rose Lowder's Ecological Cinema
4. Re-envisioning the American West
Babette Mangolte's The Sky on Location, James Benning's North on Evers, Oliver Stone's Natural Born Killers, Ellen Spiro's Roam Sweet Home
5. From the Sublime to the Vernacular
Jan DeBont's Twister and George Kuchar's Weather Diaries
6. The City as Motion Picture
The New York City Symphony: Rudy Burckhardt's New York Films, Weegee's Weegee's New York, Francis Thompson's N.Y., N.Y., Marie Menken's Go! Go! Go! Hilary Harris's Organism, Spike Lee's Do the Right Thing
Panorama, the San Francisco City Film: Frank Stauffacher's Sausalito and Notes on the Port of St. Francis, Bruce Baillie's Castro Street, Michael Rudnick's Panorama, Ernie Gehr's Eureka and Side/Walk/Shuttle
Coda--Deconstruction/Reconstruction: Pat O'Neill's Water and Power and Eugene Martin's Invisible Cities
7. The Country in the City
Central Park, Jonas Mekas's Walden, William Greaves's Symbiopsychotaxiplasm: Take One
8. Rural (and Urban) Hours
Hollis Frampton's Zorns Lemma, Robert Huot's One Year and Rolls 1971, Nathaniel Dorsky's Hours for Jerome, Peter Hutton's Landscape (for Manon) and New York Portrait, Part I
9. Expulsion from the Garden
Thomas Cole's The Garden of Eden and Expulsion from the Garden, Julie Dash's Daughters of the Dust, Carl Franklin's One False Move, J.{ths}J. Murphy's Print Generation and Horicon
10. Satan's National Park
Bruce Conner's Crossroads, Werner Herzog's Lessons of Darkness, Claude Lanzmann's Shoah, James Benning's Deseret and Four Corners
11. Benedictions/New Frontiers
Chick Strand's Kristallnacht, Stan Brakhage's Commingled Containers, Andrew Noren's Imaginary Light, Leighton Pierce's 50 Feet of String, David Gatten's What the Water Said, nos. 1-3
Appendix: Distribution Sources for Films and Videos
Notes
Index
- Volume
-
: pbk ISBN 9780520227385
Description
The Garden in the Machine explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualizes his discussion with a wide-ranging and deeply informed analysis of the depiction of place in nineteenth- and twentieth-century literature, painting, and photography. Accessible and engaging, this book examines the manner in which these films represent nature and landscape in particular, and location in general. It offers us both new readings of the films under consideration and an expanded sense of modern film history. Among the many antecedents to the films and videos discussed here are Thomas Cole's landscape painting, Thoreau's Walden, Olmsted and Vaux's Central Park, and Eadweard Muybridge's panoramic photographs of San Francisco. MacDonald analyzes the work of many accomplished avant-garde filmmakers: Kenneth Anger, Bruce Baillie, James Benning, Stan Brakhage, Nathaniel Dorsky, Hollis Frampton, Ernie Gehr, Larry Gottheim, Robert Huot, Peter Hutton, Marjorie Keller, Rose Lowder, Marie Menken, J.J.
Murphy, Andrew Noren, Pat O'Neill, Leighton Pierce, Carolee Schneemann, and Chick Strand. He also examines a variety of recent commercial feature films, as well as independent experiments in documentary and such contributions to independent video history as George Kuchar's Weather Diaries and Ellen Spiro's Roam Sweet Home. MacDonald reveals the spiritual underpinnings of these works and shows how issues of race, ethnicity, gender, and class are conveyed as filmmakers attempt to discover forms of Edenic serenity within the Machine of modern society. Both personal and scholarly, The Garden in the Machine will be an invaluable resource for those interested in investigating and experiencing a broader spectrum of cinema in their teaching, in their research, and in their lives.
Table of Contents
Introduction 1. The Garden in the Machine Larry Gottheim's Fog Line, Thomas Cole's The Oxbow, J.{ths}J. Murphy's Sky Blue Water Light Sign, Panoramas 2. Voyages of Life Thomas Cole's The Voyage of Life, Larry Gottheim's Horizons 3. Avant-Gardens Kenneth Anger's Eaux d'artifice, Marie Menken's Glimpse of the Garden, Carolee Schneemann's Fuses, Stan Brakhage's The Garden of Earthly Delights, Marjorie Keller's The Answering Furrow, Anne Charlotte Robertson's Melon Patches, Or Reasons to Go on Living, Rose Lowder's Ecological Cinema 4. Re-envisioning the American West Babette Mangolte's The Sky on Location, James Benning's North on Evers, Oliver Stone's Natural Born Killers, Ellen Spiro's Roam Sweet Home 5. From the Sublime to the Vernacular Jan DeBont's Twister and George Kuchar's Weather Diaries 6. The City as Motion Picture The New York City Symphony: Rudy Burckhardt's New York Films, Weegee's Weegee's New York, Francis Thompson's N.Y., N.Y., Marie Menken's Go! Go! Go! Hilary Harris's Organism, Spike Lee's Do the Right Thing Panorama, the San Francisco City Film: Frank Stauffacher's Sausalito and Notes on the Port of St. Francis, Bruce Baillie's Castro Street, Michael Rudnick's Panorama, Ernie Gehr's Eureka and Side/Walk/Shuttle Coda--Deconstruction/Reconstruction: Pat O'Neill's Water and Power and Eugene Martin's Invisible Cities 7. The Country in the City Central Park, Jonas Mekas's Walden, William Greaves's Symbiopsychotaxiplasm: Take One 8. Rural (and Urban) Hours Hollis Frampton's Zorns Lemma, Robert Huot's One Year and Rolls 1971, Nathaniel Dorsky's Hours for Jerome, Peter Hutton's Landscape (for Manon) and New York Portrait, Part I 9. Expulsion from the Garden Thomas Cole's The Garden of Eden and Expulsion from the Garden, Julie Dash's Daughters of the Dust, Carl Franklin's One False Move, J.{ths}J. Murphy's Print Generation and Horicon 10. Satan's National Park Bruce Conner's Crossroads, Werner Herzog's Lessons of Darkness, Claude Lanzmann's Shoah, James Benning's Deseret and Four Corners 11. Benedictions/New Frontiers Chick Strand's Kristallnacht, Stan Brakhage's Commingled Containers, Andrew Noren's Imaginary Light, Leighton Pierce's 50 Feet of String, David Gatten's What the Water Said, nos. 1-3 Appendix: Distribution Sources for Films and Videos Notes Index
by "Nielsen BookData"