Hollywood cinema

著者

書誌事項

Hollywood cinema

Richard Maltby

Blackwell, 2003

2nd ed

  • : pbk

大学図書館所蔵 件 / 全18件

この図書・雑誌をさがす

注記

Previous ed.: 1995

Includes bibliographical references (p. 644-665) and index

内容説明・目次

巻冊次

ISBN 9780631216148

内容説明

This comprehensive introduction to Hollywood cinema provides a fascinating account of the world's most powerful film industry and examines its cultural and aesthetic significance. Taking a wide-ranging approach, and spotlighting such films as A Star is Born, Singing in the Rain, Forrest Gump, and Titanic, it explores and interprets Hollywood cinema in history and in the present, in theory and in practice. For this new edition, the book has been extensively revised, with the historical material updated, and including references to Hollywood movies after 1990. New features include box sections, further reading lists, and chapter summaries. Well illustrated and clearly written, this is an indispensable text for students and readers of Hollywood history and culture.

目次

Preface. Acknowledgments. List of Figures. List of Box Sections. Introduction: Taking Hollywood Seriously. 1. 'Metropolis of Make-Believe': Art and Business. The Commercial Aesthetics of Titanic. A Classical Cinema? Hollywood and Its Audiences. Ratings and Franchises. Hollywood's World. Summary. Notes for Further Reading. 2. Entertainment 1: Escape. Money on the Screen. The Multiple Logics of Hollywood Cinema. Summary. Notes for Further Reading. 3. Entertainment 2: The Play of Emotions. Regulated Difference. Singin' in the Rain: How to Take Gene Kelly Seriously. Summary. Notes for Further Reading. 4. Genre: Introduction. Genre Criticism. Genre Recognition. The Empires of Genres: Pat Garrett and Billy the Kid. Genre and Gender. Summary. Further Reading. 5. Industry: Introduction. Distribution and Exhibition. Exporting America. Divorcement. The Studio System. The Star System. How Stars are Made: A Star Is Born (1937). Summary. Further Reading. 6. Industry 1948-1980: Introduction. The Effects of Divorcement. Roadshows and Teenpix. Independents, Agents, and Television. Corporate Consolidation and the 'New Hollywood'. Ratings. Hollywood in the Multiplex. Summary. Further Reading. 7. Industry Since 1980: Introduction. Video and New Markets. The Pursuit of Synergy. Globalization. Independence. Summary. Further Reading. 8. Technology: Introduction. Realism and the Myth of Total Cinema. Sound. Sunny Side Up. Color. Widescreen. Technology and Power. The Triumph of the Digital. Summary. Further Reading. 9. Politics: Introduction. The Politics of Regulation. Hollywood Goes to Washington. Washington Goes to Hollywood. Representing the Political Machine. Controversy with Class: The Social Problem Movie. Ideology. Summary. Further Reading. 10. Space 1: Introduction. The Best View. Making the Picture Speak: Representation and Expression. The Optics of Expressive Space. Deep Space: Three-Dimensionality on a Flat Screen. Mise-en-scene. Editing. Summary. Further Reading. 11. Space 2: The Three 'Looks' of Cinema. Points of View. Safe and Unsafe Space. Ordinary People. Summary. Further Reading. 12. Performance 1: Introduction. The Spectacle of Movement. The Movement of Narrative. Acting as Impersonation. The Actor's Two Bodies. Star Performance. Summary. Further Reading. 13. Performance 2: The Method. Acting as a Signifying System. Valentino. The Son of the Sheik (1926). Summary. Further Reading. 14. Time: Introduction. Time Out. Film Time. Movie Time. Deadlines and Coincidences: Madigan (1968). Mise-en-temps. Tense. Back to the Present: History as a Production Value. The Politics of History: Forrest Gump (1994). The Lessons of History: Juarez (1939). Summary. Further Reading. 15. Narrative: Narrative and Other Pleasures. Show and Tell. Theories of Narration. Plot, Story, Narration. Clarity: Transparency and Motivation. Summary. Further Reading. 16. Narrative 2: Regulating Meaning: The Production Code. Clarity and Ambiguity in Casablanca. Narrative Pressure. Summary. Further Reading. 17. Criticism: Introduction. From Reviewing to Criticism. Early Theory and Criticism in America. From Criticism to Theory. Criticism in Practice: Only Angels Have Wings. Summary. Further Reading. 18. Theories: Entering the Academy. Structuralism and Semiology. Cinema, Ideology, Apparatus. Psychoanalysis and Cinema. The Spectator. Feminist Theory. Neoformalism and Cognitivism. From Reception to History. Summary. Further Reading. 19. Chronology: Glossary. Appendices. The Motion Picture Production Code. The Code and Rating System, 1968. The Classification and Ratings System: +ACI-What the Ratings Mean+ACI-. Consolidated Notes. Select Bibliography. Index.
巻冊次

: pbk ISBN 9780631216155

内容説明

This extensively revised second edition offers a comprehensive introduction to Hollywood cinema, providing a fascinating account of the cultural and aesthetic significance of the world's most powerful film industry. Provides a fascinating account of Hollywood history. Examines the cultural and aesthetic significance of the world's most powerful film industry. Explores and interprets Hollywood cinema in history and in the present, in theory and in practice. Extensively revised and updated with new chapter features including box sections, further reading lists, Notes and Queries, and chapter summaries.

目次

Acknowledgments xii List of Boxes xiv Introduction 1 Part I The Commercial Aesthetic 1 Taking Hollywood Seriously 5 "Metropolis of Make-Believe" 5 Art and Business 7 The Commercial Aesthetic of Titanic 10 A Classical Cinema? 14 Hollywood and its Audiences 19 Ratings and Franchises 22 Hollywood's World 28 Summary 30 Further Reading 31 2 Entertainment 1 33 Escape 33 Money on the Screen 40 The Multiple Logics of Hollywood Cinema 46 Summary 52 Further Reading 53 3 Entertainment 2 54 The Play of Emotions 54 Regulated Difference 59 Singin' in the Rain: How to Take Gene Kelly Seriously 66 Summary 71 Further Reading 72 4 Genre 74 Genre Criticism 83 Genre Recognition 86 The Empire of Genres: Pat Garrett and Billy the Kid 93 Genre and Gender 101 Summary 107 Further Reading 108 Part II Histories 5 Industry 1: To 1948 113 Industry 113 Distribution and Exhibition 114 Exporting America 126 Divorcement 128 The Studio System 130 The Star System 141 How Stars are Made: A Star is Born 146 Summary 154 Further Reading 156 6 Industry 2: From 1948 to 1980 159 The Effects of Divorcement 161 Roadshows and Teenpix 165 Independents, Agents, and Television 170 Corporate Consolidation and the "New Hollywood" 173 Ratings 177 Hollywood in the Multiplex 181 Summary 186 Further Reading 187 7 Industry 3: Since 1980 189 Video and New Markets 191 The Pursuit of Synergy 205 Globalization 212 Independence 217 Summary 224 Further Reading 225 8 Technology 227 Realism and the Myth of Total Cinema 229 Sound 238 Sunny Side Up 241 Color 248 Widescreen 251 Technology and Power 255 The Triumph of the Digital 259 Summary 264 Further Reading 265 9 Politics 268 The Politics of Regulation 270 Hollywood Goes to Washington 276 Washington Goes to Hollywood 280 Representing the Political Machine 287 Controversy with Class: The Social Problem Movie 292 Ideology 300 Summary 306 Further Reading 307 Part III Conventions 10 Space 1 311 The Best View 312 Making the Picture Speak: Representation and Expression 313 The Optics of Expressive Space 319 Deep Space: Three-Dimensionality on a Flat Screen 326 Mise-en-Scene 328 Editing 332 Summary 339 Further Reading 340 11 Space 2 343 The Three "Looks" of Cinema 343 Points of View 346 Safe and Unsafe Space 353 Ordinary People 358 Summary 365 Further Reading 365 12 Performance 1 368 The Spectacle of Movement 372 The Movement of Narrative 375 Acting as Impersonation 377 The Actor's Two Bodies 380 Star Performance 384 Summary 390 Further Reading 391 13 Performance 2 393 The Method 393 Acting as a Signifying System 398 Valentino 401 The Son of the Sheik 406 Summary 410 Further Reading 411 14 Time 413 Time Out 414 Film Time 419 Movie Time 423 Deadlines and Coincidences: Madigan 426 Mise-en-Temps 429 Tense 432 Back to the Present: History as a Production Value 436 The Politics of History: Forrest Gump 440 The Lessons of History: Juarez 443 Summary 449 Further Reading 450 15 Narrative 1 452 Narrative and Other Pleasures 452 Show and Tell 454 Theories of Narration 458 Plot, Story, Narration 462 Clarity: Transparency and Motivation 465 Summary 469 Further Reading 470 16 Narrative 2 471 Regulating Meaning: The Production Code 471 Clarity and Ambiguity in Casablanca 475 Narrative Pressure 484 Summary 488 Further Reading 489 Part IV Approaches 17 Criticism 493 From Reviewing to Criticism 494 Early Theory and Criticism in America 496 From Criticism to Theory 501 Criticism in Practice: Only Angels Have Wings 511 Summary 521 Further Reading 523 18 Theories 526 Entering the Academy 526 Structuralism and Semiology 528 Cinema, Ideology, Apparatus 531 Psychoanalysis and Cinema 535 The Spectator 537 Feminist Theory 540 Poststructuralism and Cultural Studies 542 Neoformalism and Cognitivism 546 From Reception to History 549 Summary 553 Further Reading 555 Chronology 557 Glossary 578 Appendices 593 1 The Motion Picture Production Code 593 2 The Code and Rating System, 1968 598 3 The Classification and Rating System: "What the Ratings Mean" 601 Notes 603 Bibliography 644 Index 666

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