Japonisme in Britain : Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
Author(s)
Bibliographic Information
Japonisme in Britain : Whistler, Menpes, Henry, Hornel and nineteenth-century Japan
RoutledgeCurzon, 2003
- : hbk
- : pbk
Available at 39 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Glossary: p. 200-201
Includes bibliographical references (p. 227-245) and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780415296861
Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.
This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Table of Contents
List of figures Foreword Preface Acknowledgements List of abbreviations Introduction 1. Japonisme Introduction: Japonisme and Japanese objects Japonisme in Britain Japonisme in Scotland (Glasgow) Mass production and design improvement: Christopher Dresser and Arthur Lasenby Liberty Japanese medieval and Greek art: William Burges and E.W. Godwin Women and Costume Conclusion 2. James McNeill Whistler's Japonisme Introduction Compostitions Japanese objects and subjectless painting Nocturnes Conclusion 3. Mortimer Menpes's visit to Japan: The influence of J. McNeill Whistler and Kawanabe Kyosai Introduction Japanese subjects and Whistler's influence 25 Cadogan Gardens The influence of Japan Conclusion 4. George Henry and Edward Atkinson Hornel's visit to Japan and Yokohama Shashin Introduction Before the visit to Japan Yokohama Shashin in Broughton House Life in Japan Henry's Japanese subjects and use of photographs Hornel's Japanese subjects and use of photographs Conclusion Conclusion Appendices Glossary Notes Bi bliography Index
- Volume
-
: pbk ISBN 9780415405843
Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.
This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Table of Contents
List of figures Foreword Preface Acknowledgements List of abbreviations Introduction 1. Japonisme Introduction: Japonisme and Japanese objects Japonisme in Britain Japonisme in Scotland (Glasgow) Mass production and design improvement: Christopher Dresser and Arthur Lasenby Liberty Japanese medieval and Greek art: William Burges and E.W. Godwin Women and Costume Conclusion 2. James McNeill Whistler's Japonisme Introduction Compostitions Japanese objects and subjectless painting Nocturnes Conclusion 3. Mortimer Menpes's visit to Japan: The influence of J. McNeill Whistler and Kawanabe Kyosai Introduction Japanese subjects and Whistler's influence 25 Cadogan Gardens The influence of Japan Conclusion 4. George Henry and Edward Atkinson Hornel's visit to Japan and Yokohama Shashin Introduction Before the visit to Japan Yokohama Shashin in Broughton House Life in Japan Henry's Japanese subjects and use of photographs Hornel's Japanese subjects and use of photographs Conclusion Conclusion Appendices Glossary Notes Bi bliography Index
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