Lucie Rie & Hans Coper, potters in parallel
著者
書誌事項
Lucie Rie & Hans Coper, potters in parallel
Herbert Press in association with Barbican Art Gallery, c1997
- タイトル別名
-
Lucie Rue & Hans Coper
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition held at Barbican Art Gallery, February-March 1997
Bibliography: p156-157
Includes index
内容説明・目次
内容説明
Published to coincide with the first major joint retrospective, which opened at the Barbican Gallery on 20 February 1997, this book compares the careers of two of the world's most famous potters and assesses their impact on modern ceramics. Both remarkable and celebrated talents individually, there is a symmetry to the work of Lucie Rid and Hans Coper which is evident to even the inexperienced eye. Since their first meeting in 1946, when Hans came to make buttons for Lucie in her workshop in London's Albion Mews, they were to influence each other for the rest of their lives. From the delicate sgraffito decoration on Lucie's early tableware, to the monumental sculputural forms which were to characterize Hans's later work, there are many common threads which reveal their mutual inspiration. Both emigres, she from Vienna and he from Dresden, they shared a distinctly European spirit of modern design, and together they can be credited with bringing ceramics to the fore as an art form.
「Nielsen BookData」 より