An enduring vision : 17th- to 20th-century Japanese painting from the Gitter-Yelen collection
著者
書誌事項
An enduring vision : 17th- to 20th-century Japanese painting from the Gitter-Yelen collection
New Orleans Museum of Art , In association with University of Washington Press, c2002
大学図書館所蔵 全15件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Published in conjunction with an exhibition organized by the New Orleans Museum of Art, and presented Aug. 31-Oct. 26, 2002. To be presented subsequently by the Seattle Asian Art Museum and the Japan Society, New York, in 2003 and 2004
Includes bibliographical references (p. 313-319) and index
内容説明・目次
内容説明
The Edo period in Japan, from 1615 to 1858, witnessed an unprecedented flourishing of the arts. During these long years of peace and relative stability, Japanese culture attained new levels of refinement and distinction. Innovative painting styles such as Rinpa, nanga, Maruyama-Shijo, ukiyo-e, and zenga flourished along with the traditional painting lineages of the Kano, Tosa, and Hasegawa schools. With the fall of the shogunate in 1868 and the subsequent Meiji restoration, many painting styles current in Edo were practiced along with Western-style oil painting and types that assimilated both Eastern and Western traditions. In An Enduring Vision, twelve distinguished scholars examine Japanese painting in this vibrant period. The book opens with eminent guest curator Tadashi Kobayashi's overview of the exquisite paintings in the Gitter-Yelen collection. Stephen Addiss, Patricia J. Graham, Motoaki Kono, Johei Sasaki, and John T. Carpenter take up, respectively, Nanga, literati, and Rinpa painting, the Maruyama Shijo school,a and aspects of ukiyo-e painting during the Edo period. Patricia Fister, James T.
Ulak, and Masatomo Kawai examine, respectively, the influences of Yosa Buson; the Eccentrics Ito Jakuchu, Soga Shohaku, and Nasagawa Rosetsu; and the Zen painter Hakuin Ekaku. Paul Berry addresses the transformation of traditional painting practices in 19th- and 20th-century Japan, and Christine M. E. Guth takes up aspects of nanga and zenga painting in America. In addition, catalogue entries offer fresh commentary on the background and context in which the artworks were created. All these texts are generously illustrated in color. An Enduring Vision presents 138 exceptional artworks by the great masters of the Edo period as well as the paintings of their students, friends, and associates, whose relationships the authors explore and discuss. In addition to the artists mentioned above, the selection includes paintings by Ike Taiga, Sengai, and Tawaraya Sotatsu, among others. The catalogue offers a rare opportunity to appreciate in depth the ways in which these gifted individuals developed as artists. Tadashi Kobayashi is professor of art history, Gakushuin University; director of the Chiba Art Museum; and editor-in-chief of Kokka.
Lisa Rotondo-McCord is curator of Asian art, New Orleans Museum of Art. The essayists include Stephen Addiss, Paul Berry, John T. Carpenter, Patricia Fister, Patricia J. Graham, Christine M. E. Guth, Masatomo Kawai, Motoaki Kono, Johei Sasaki, and James T. Ulak.
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