Conceptualizing music : cognitive structure, theory, and analysis
著者
書誌事項
Conceptualizing music : cognitive structure, theory, and analysis
（AMS studies in music）
Oxford University Press, 2002
- : pbk
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注記
Includes bibliographical references (p. 335-352) and index
内容説明・目次
- 巻冊次
-
ISBN 9780195140231
内容説明
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes, categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science,
framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship
between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or a vocational interest in the application of work in cognitive science to humanistic principles.
目次
- PART I: ASPECTS OF COGNITIVE STRUCTURE
- PART II: ANALYSIS AND THEORY
- 巻冊次
-
: pbk ISBN 9780195187977
内容説明
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes-categorization, cross-domain mapping, and the use of conceptual models-and explores the part these play in theories of musical organization.
The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.
The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
目次
- PART 1
- PART 2
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