Art of the Lega
Author(s)
Bibliographic Information
Art of the Lega
UCLA Fowler Museum of Cultural History, 2001
- alk. paper
- pbk. : alk. paper
Available at / 1 libraries
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Graduate School of Asian and African Area Studies, Kyoto Universityアフリカ専攻
alk. paper712.448||Cam02025711
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Note
Includes bibliography : p229-231
Description and Table of Contents
- Volume
-
alk. paper ISBN 9780930741877
Description
Drawing upon diverse sources, including Daniel P. Biebuyck's seminal fieldwork of the 1950s, Elisabeth Cameron investigates the culture and the art of the Lega peoples of the Democratic Republic of the Congo. Among the Lega, art is only created for and used by the Bwami Society. Bwami is a complex organization consisting of multiple levels, and it forms an essential component of the political, social, and religious structure of the Lega.
Within Bwami, artworks are used in conjunction with proverbs, anecdotes, and performances to form complex layered metaphors and to serve as mnemonic devices. As initiates move up through the ranks of the Bwami Society, a variety of different artworks assist them in recalling a vast corpus of complex aphorisms. The many beautiful examples of Lega artworks illustrated in this volume are drawn primarily from the Jay T. Last collection and include masks, animals, human forms, miniature tools, and spoons.
Table of Contents
Forewords
Preface: The Collector's Perspective
Acknowledgments
Introduction
PART ONE: INTRODUCTION TO THE LEGA AND LAYERED METAPHORS
The Lega and Their Environment
The Bwami Society
Rhetoric, Metaphor, and Mpala
Artists and Aesthetics
The Public and the Secret
PART TWO: VISUAL VOCABULARY
Found, Assembled, and Utilitarian Objects
Animal Figures
Human Figures
Lega Masks
Conclusion: The Mythical versus the Real
Appendix
Endnotes
References Cited
- Volume
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pbk. : alk. paper ISBN 9780930741884
Description
Drawing upon diverse sources, including Daniel P. Biebuyck's seminal fieldwork of the 1950s, Elisabeth Cameron investigates the culture and the art of the Lega peoples of the Democratic Republic of the Congo. Among the Lega, art is only created for and used by the Bwami Society. Bwami is a complex organization consisting of multiple levels, and it forms an essential component of the political, social, and religious structure of the Lega. Within Bwami, artworks are used in conjunction with proverbs, anecdotes, and performances to form complex layered metaphors and to serve as mnemonic devices. As initiates move up through the ranks of the Bwami Society, a variety of different artworks assist them in recalling a vast corpus of complex aphorisms. The many beautiful examples of Lega artworks illustrated in this volume are drawn primarily from the Jay T. Last collection and include masks, animals, human forms, miniature tools, and spoons.
Table of Contents
ForewordsPreface: The Collector's PerspectiveAcknowledgmentsIntroductionPART ONE: INTRODUCTION TO THE LEGA AND LAYERED METAPHORSThe Lega and Their EnvironmentThe Bwami SocietyRhetoric, Metaphor, and MpalaArtists and AestheticsThe Public and the SecretPART TWO: VISUAL VOCABULARYFound, Assembled, and Utilitarian ObjectsAnimal FiguresHuman FiguresLega MasksConclusion: The Mythical versus the RealAppendixEndnotesReferences Cited
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