Views of transition : liturgy and illumination in medieval Spain

Author(s)
    • Walker, Rose
Bibliographic Information

Views of transition : liturgy and illumination in medieval Spain

Rose Walker

(The British Library studies in medieval culture)

British Library , University of Toronto Press, 1998

  • : uk
  • : cn

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Note

Includes indexes

Bibliography: p. 253-258

Description and Table of Contents
Volume

: uk ISBN 9780712345231

Description

This study discusses how a society whose intellectual framework was founded on stasis and regression accommodated innovation. The Spanish church in the 11th century faced this problem when required to abandon the Mozarabic liturgy in favour of Roman texts. This text examines liturgical manuscripts contemporary with this change, and reveals how the new liturgy was introduced and received. The main subjects of this investigation are a group of liturgical manuscripts from the Silos corpus held in the British Library, and three missals from Spanish libraries, including the notable Missal of San Facundo. By analyzing the content, presentation and style of these manuscripts, the author of this study presents a survey of the textual and visual strategies employed in implementing liturgical change.
Volume

: cn ISBN 9780802043689

Description

Change Was a Difficult Concept in Medieval Society; the Introduction of new or different ideas and approaches was generally viewed with suspicion, and could leave an innovator open to the charge of novitas, or innovation, or even heresy.Yet, change did occur. Rose Walker investigates the mechanism of change in the Middle Ages through the study of one particular innovation: the shift from the Mozarabic to the Roman liturgy in Spain after 1080. Walker focuses on the joint northern Spanish kingdoms of Leon and Castile to examine how the liturgical shift, initiated by the reforms of Pope Gregory VII, was reflected in the liturgical manuscripts of the time. By analysing the text and images in manuscripts of the Mozarabic and Roman liturgies produced in Spain before, during, and after the change in liturgy, she demonstrates how the presentation and decoration of liturgical texts helps to determine ways in which change was expressed, and to illuminate the perspective of those who had to put it into practice.

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