Singular women : writing the artist
著者
書誌事項
Singular women : writing the artist
（Ahmanson・Murphy fine arts imprint）
University of California Press, c2003
- : pbk
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注記
Includes bibliographical references (p. 251-258) and index
"An Ahmanson-Murphy fine arts book"--Back cover
内容説明・目次
内容説明
In this groundbreaking volume, contemporary art historians--all of them women--probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.
目次
--Mary Garrard on Artemisia Gentileschi --Frima Fox Hofrichter on Judith Leyster --Mary Sheriff on Elisabeth Vigee-Lebrun --Carol Mavor on Clementina Hawarden and Sally Mann --Gladys-Marie Fry on Harriet Powers --Anne Higonnet on Mary Cassatt --Barbara J. Bloemink on Florine Stettheimer --Gail Levin on Jo Nivison Hopper --Nancy Gruskin on Eleanor Raymond --Melanie Herzog on Elizabeth Catlett --Karen Bearor on Irene Rice Pereira --Amy Ingrid Schlegel on Nancy Spero --Kristine Stiles on Carolee Schneemann
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