Religiosity, cosmology and folklore : the African influence in the novels of Toni Morrison

Author(s)

    • Higgins, Therese E.

Bibliographic Information

Religiosity, cosmology and folklore : the African influence in the novels of Toni Morrison

Therese E. Higgins

(Studies in African American history and culture)(A Routledge series)

Routledge, 2001

Available at  / 4 libraries

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Note

Includes bibliographical references (p. 141-145) and index

Description and Table of Contents

Description

This book presents background information on the beliefs, customs, traditions and cosmologies of several of Africa's foremost peoples, relates these findings to each of Morrison's seven novels by highlighting the connections between the African root and the African-American product, and elucidates how this connection helps to understand and to clarify many of Morrison's allusions to the culture out of which she writes. It presents a new way of reading Morrison's work that has been previously overlooked, and moves beyond just African-American culture, delving into Africa and its people.

Table of Contents

  • Part I God, Gods, and Spirits in African Life: Song of Solomon, Beloved, Tar Baby, and Jazz
  • Chapter 1 Ancient Ancestral Folklore in Song of Solomon
  • Chapter 2 The Influence of African Cosmological Beliefs in Beloved
  • Chapter 3 Tar Baby and the Ancient Folktales of Africa
  • Chapter 4 Jazz and African Ancestral Cultures and Traditions
  • Part II A Circle of Friends: Communities of Women in The Bluest Eye, Sula, Tar Baby, Beloved, Jazz, and Paradise
  • Chapter 5 The Failure of Community in The Bluest Eye
  • Chapter 6 The Rejection of Community in Sula
  • Chapter 7 Ancient Properties and Communal Connection in Tar Baby
  • Chapter 8 The Power of Community in Beloved
  • Chapter 9 Jazz and Community Values
  • Chapter 10 Paradise : The Final Frontier

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