Between snow and desert heat : Russian influence on Hebrew literature, 1870-1970
著者
書誌事項
Between snow and desert heat : Russian influence on Hebrew literature, 1870-1970
(Monographs of the Hebrew Union College, no. 27)
Hebrew Union College Press, c2003
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Hebrew literature, from the second half of the nineteenth century to well into the twentieth, was unmistakably influenced in style and substance by Russian prose and poetry. These influences have been readily acknowledged but have been studied only in an episodic and fragmented way. Rina Lapidus systematically identifies those Hebrew authors and poets upon whom Russian influence is most striking and upon whom it seems to have exerted the greatest power. After examining the textual parallels in the works of both the influencing and the influenced authors, she presents intertextual sources for the passages discussed, focusing on various idioms or linguistic and literary patterns commonly found in Russian literature. Nine case studies illustrate this influence. For each case, Lapidus answers three questions: How, precisely, is the literary influence expressed? With what belletristic, intellectual, ideological, or philosophical category may it be connected? and What were its primary sources, even before the influencing author absorbed them from authentic Russian culture? Lapidus explores the influence of Russian language, literature, and culture upon Y. H. Brenner in his novel Around the Point; the influence of the Russian version of decadence as found in Turgenev's novels Rudin and Fathers and Sons on Yeshaya Bershadsky's novel Aimless; the poetics of humor and satire in the fiction of Gogol and Mendele Mocher Sefarim; the influence of classic Russian autobiographical novels-primarily the Tolstoy trilogy Childhood, Boyhood, Youth-on Y. D. Berkowitz's Chapters of Childhood; the impact of the poetry of Afanasii Fet on Hayyim Lensky; Russian influences on two novels by Hayyim Hazaz; and the poetic influence of Mikhail Lermontov on the works of the young Saul Tchernichowsky. A theoretical introductory chapter discusses the contributions of Harold Bloom, Julia Kristeva, and others to the contemporary study of influence.
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