Greek tragedy in action
著者
書誌事項
Greek tragedy in action
Routledge, 2003
2nd ed
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Second edition first published 2003"-- t.p. verso
Originally published: London : Methuen, 1978
Includes bibliographical references (p. [194]-198) and indexes
内容説明・目次
内容説明
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.
Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated.
Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.
目次
List of plates, Preface, 1. The visual dimension of tragedy, 2. Stage management and stage directions, 3. Introduction to nine plays, 4. Exits and entrances, 5. Actions and gestures, 6. Objects and tokens, 7. Tableaux, noises and silences, 8. Mirror scenes, 9. Scenic sequence, 10. Emotion and meaning in the theatre, 11. Round plays in square theatres, Notes, Select bibliography, Index of passages discussed, General index
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