Reflections of an American composer
著者
書誌事項
Reflections of an American composer
University of California Press, c2002
大学図書館所蔵 全1件
注記
"Roth Family Foundation"--p. [ii]
Includes index
内容説明・目次
内容説明
In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
目次
Acknowledgements Abbreviations and Contractions Introduction 1. Composers and their Audience in the Thirties 2. Nationalism 3. Is Music in Decline? 4. Rendezvous with Apollo: Form Is Feeling 5. Reinventing the Past: Pastiche, "Criticism," or Collage? 6. Serialism: Composer as Theorist 7. Rapprochement or Friendly Takeover? 8. Postmodern Music 9. Virgil Thomson and the Press 10. Music on My Beat 11. PNM and the Ph. D. 12. Do We Hear What We Say We Hear? 13. New Linguistic Modes and the New Theory 14. Backstage at the Opera 15. A Tale of Two Critics: Rosenfeld and Haggin 16. A Tale of Two Conductors: Koussevitzky and Mitropoulos 17. Octatonic Scale 18. Brief Encounters: From My Diary NOTES
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