Present pasts : urban palimpsests and the politics of memory
著者
書誌事項
Present pasts : urban palimpsests and the politics of memory
(Cultural memory in the present)
Stanford University Press, 2003
- : pbk
- : cloth
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [165]-177)
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780804745604
内容説明
Memory of historical trauma has a unique power to generate works of art. This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York-three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city's reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New York City faces a set of public memory issues concerning the symbolic value of Times Square as threatened public space and the daunting task of commemorating and rebuilding after the attack on the World Trade Center.
Focusing on the issue of monumentalization in divergent artistic and media practices, the book demonstrates that the transformation of spatial and temporal experience by memory politics is a major cultural effect of globalization.
目次
- Present pasts - media, politics, amnesia
- monumental seduction - Christo in Berlin
- the voids of Berlin
- after the war - Berlin as palimpsest
- fear of mice - the Times Square redevelopment
- memory sites in an expanded field - the Memory Park in Buenos Aires
- Doris Salcedo's memory sculpture unland - the Orphan's Tunic
- of mice and mimesis - reading Spiegelman's Maus with Adorno
- rewritings and new beginnings - W.G. Sebald and the literature on the air war
- twin memories - after-images of 9/11.
- 巻冊次
-
: pbk ISBN 9780804745611
内容説明
Memory of historical trauma has a unique power to generate works of art. This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York-three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city's reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New York City faces a set of public memory issues concerning the symbolic value of Times Square as threatened public space and the daunting task of commemorating and rebuilding after the attack on the World Trade Center.
Focusing on the issue of monumentalization in divergent artistic and media practices, the book demonstrates that the transformation of spatial and temporal experience by memory politics is a major cultural effect of globalization.
目次
- Present pasts - media, politics, amnesia
- Monumental seduction - Christo in Berlin
- The voids of Berlin
- After the war - Berlin as palimpsest
- Fear of mice - the Times Square redevelopment
- Memory sites in an expanded field - the Memory Park inBuenos Aires
- Doris Salcedo's memory sculpture unland - the Orphan's Tunic
- Of mice and mimesis - reading Spiegelman's Maus with Adorno
- Rewritings and new beginnings - W.G. Sebald and the literature on the air war
- Twin memories - after-images of nine/eleven.
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