Picturing place : photography and the geographical imagination
Author(s)
Bibliographic Information
Picturing place : photography and the geographical imagination
I.B. Tauris, 2003
- : hbk
- : pbk
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9781860647512
Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Table of Contents
Contents vi Figures vii Acknowledgements x Contributors xii Introduction: Photography and the Geographical Imagination 1 Joan M. Schwartz and James R. Ryan PART I Picturing Place 19 1 La Mission Heliographique: Architectural Photography, Collective Memory and the Patrimony of France, 1851 21 M. Christine Boyer 2 Retracing the Outlines of Rome: Intertextuality and Imaginative Geographies in Nineteenth-Century Photographs 55 Maria Antonella Pelizzari 3 Visualizing Eternity: Photographic Constructions of the Grand Canyon 74 David E. Nye 4 Family as Place: Family Photograph Albums and the Domestication of Public and Private Space 96 Deborah Chambers PART II Framing the Nation 115 5 Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century 117 Jens Jager 6 Capturing and Losing the 'Lie of the Land': Railway Photography and Colonial Nationalism in Early Twentieth-Century South Africa 141 Jeremy Foster 7 Constructing the State, Managing the Corporation, Transforming the Individual: Photography, Immigration and the Canadian National Railways, 1925-30 162 Brian S. Osbourne PART III Colonial Encounters 193 8 Emperors of the Gaze: Photographic Practices and Productions of Space in Egypt, 1839-1914 195 Derek Gregory 9 Mapping a Sacred Geography:Photographic Surveys by the Royal Engineers in the Holy Land, 1864-68 226 Kathleen Stewart Howe 10 Home and Empire:Photographs of British Families in the Lucknow Album 1856-57 243 Alison Blunt 11 Negotiating Spaces: Some Photographic Incidents in the Western Pacific, 1883-84 261 Elizabeth Edwards Epilogue 281 12 Wunderkammer to World Wide Web:Picturing Place in the Post-Photographic Era 283 William J. Mitchell Notes 305 Index 347
- Volume
-
: pbk ISBN 9781860647529
Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Table of Contents
Contents vi Figures vii Acknowledgements x Contributors xii Introduction: Photography and the Geographical Imagination 1 Joan M. Schwartz and James R. Ryan PART I Picturing Place 19 1 La Mission Heliographique: Architectural Photography, Collective Memory and the Patrimony of France, 1851 21 M. Christine Boyer 2 Retracing the Outlines of Rome: Intertextuality and Imaginative Geographies in Nineteenth-Century Photographs 55 Maria Antonella Pelizzari 3 Visualizing Eternity: Photographic Constructions of the Grand Canyon 74 David E. Nye 4 Family as Place: Family Photograph Albums and the Domestication of Public and Private Space 96 Deborah Chambers PART II Framing the Nation 115 5 Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century 117 Jens Jager 6 Capturing and Losing the 'Lie of the Land': Railway Photography and Colonial Nationalism in Early Twentieth-Century South Africa 141 Jeremy Foster 7 Constructing the State, Managing the Corporation, Transforming the Individual: Photography, Immigration and the Canadian National Railways, 1925-30 162 Brian S. Osbourne PART III Colonial Encounters 193 8 Emperors of the Gaze: Photographic Practices and Productions of Space in Egypt, 1839-1914 195 Derek Gregory 9 Mapping a Sacred Geography:Photographic Surveys by the Royal Engineers in the Holy Land, 1864-68 226 Kathleen Stewart Howe 10 Home and Empire:Photographs of British Families in the Lucknow Album 1856-57 243 Alison Blunt 11 Negotiating Spaces: Some Photographic Incidents in the Western Pacific, 1883-84 261 Elizabeth Edwards Epilogue 281 12 Wunderkammer to World Wide Web:Picturing Place in the Post-Photographic Era 283 William J. Mitchell Notes 305 Index 347
by "Nielsen BookData"