Whose pharaohs? : archaeology, museums, and Egyptian national identity from Napoleon to World War I
著者
書誌事項
Whose pharaohs? : archaeology, museums, and Egyptian national identity from Napoleon to World War I
University of California Press, c2002
- : cloth
- : pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 365-383
Includes index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780520221970
内容説明
Egypt's rich and celebrated ancient past has served many causes throughout history - in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity.Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular 'Egyptomania' displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry.
This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage - how it is perceived, constructed, claimed, and contested.
目次
- Part One: Imperial and National Preludes, 1798-1882
- 1. Rediscovering Ancient Egypt: Champollion and al-Tahtawi
- 2. From Explorer to Cook's Tourist
- 3. Egyptology under Ismail: Mariette, al-Tahtawi, and Brugsch, 1850-1882
- Part Two: Imperial High Noon, Nationalist Dawn, 1882-1914
- 4. Cromer and the Classics: Ideological Uses of the Greco-Roman Past
- 5. Egyptology in the Age of Maspero and Ahmad Kamal
- 6. Islamic Art, Archaeology, and Orientalism: The Comite and Ali Bahgat
- 7. Modern Sons of the Pharaohs? Marcus Simaika and the Coptic Past
- 巻冊次
-
: pbk ISBN 9780520240698
内容説明
Egypt's rich and celebrated ancient past has served many causes throughout history - in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular 'Egyptomania' displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry.
This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage - how it is perceived, constructed, claimed, and contested.
目次
List of Illustrations Acknowledgments Note on Transliteration, Translation, and Dates Introduction Part One: Imperial and National Preludes, 1798-1882 1. Rediscovering Ancient Egypt: Champollion and al-Tahtawi 2. From Explorer to Cook's Tourist 3. Egyptology under Ismail: Mariette, al-Tahtawi, and Brugsch, 1850-1882 Part Two: Imperial High Noon, Nationalist Dawn, 1882-1914 4. Cromer and the Classics: Ideological Uses of the Greco-Roman Past 5. Egyptology in the Age of Maspero and Ahmad Kamal 6. Islamic Art, Archaeology, and Orientalism: The Comite and Ali Bahgat 7. Modern Sons of the Pharaohs? Marcus Simaika and the Coptic Past Conclusion Appendix: Supplementary Tables Notes Select Bibliography Index
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