The nation's image : French grand opera as politics and politicized art
Author(s)
Bibliographic Information
The nation's image : French grand opera as politics and politicized art
Cambridge University Press, 2002
- : pbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Tochigi
  Gunma
  Saitama
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p.255-276) and index
"First paperback edition"
Description and Table of Contents
Description
French grand opera, this book argues, was a different and more complex kind of theater than we ordinarily suppose. Focusing on the period of grand opera's rise, its dominance, and its final decline, Professor Fulcher shows that it was a subtly used tool of the state. Using the Opera's archives, she analyses the mechanism and goals of state intervention in the theatre and how these underwent subtle change. As she demonstrates, the official framework helped to shape not only the nature of artistic development, but also politicized the theatrical experience itself. Although concerned with the audience's understanding of the operas, this book is not narrowly a 'reception history'. Rather, it is an attempt to see the part played by grand opera in a specific social and cultural context - how it arose within larger structures and in turn reacted back finally upon them.
Table of Contents
- List of figures
- Acknowledgments
- Introduction
- 1. La Muette de Portici and the new politics of opera
- 2. The politics of grand opera's rise and decline
- 3. Radicalization, repression, and opera: Meyerbeer's Le Prophete
- 4. Politicized attacks on grand opera and the genesis of alternative models
- Conclusion
- Notes
- Appendix
- Bibliography
- Index.
by "Nielsen BookData"