This is the Beat Generation : New York, San Francisco, Paris

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This is the Beat Generation : New York, San Francisco, Paris

James Campbell

University of California Press, 2001, c1999

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up." In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.

目次

Foreword PART I: I CAN FEEL MYSELF DRIFTING... 1. Crazy wisdom 2. The first cut-ups Behind the beat: Hipikats 3. The muses: Huncke-junkies and Neo-Cassady Behind the beat: Naked Neal 4. The little auto Behind the beat: Neurotica 5. The place of dead roads Behind the beat: The scroll 6. Beat, in black and white Behind the beat: Broyard PART II: ...FURTHER AND FURTHER OUT 7. Sutra on the subway Behind the beat: City Lights 8. You're a Genius all the time Behind the beat: As food as Proust 9. Death to Van Gogh's Ear 10. The birth of the beatnik Behind the beat: as he leaps Updike swing 11. Terminal cut-up Notes index Illustrations

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