Music in our world : an active-listening approach

著者

    • White, Gary C.
    • Stuart, David
    • Aviva, Elyn

書誌事項

Music in our world : an active-listening approach

Gary White, David Stuart, Elyn Aviva

(McGraw-Hill higher education)

McGraw Hill, c2001

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注記

Includes discographies and index

内容説明・目次

内容説明

Music in Our World is the first text in music appreciation completely devoted to the study of music elements and to investing students with active listening skills. The text examines each musical element from a number of angles - completely integrating world music throughout the discussion. The three chapters on Melody, for example, cite the work of Hildegard of Bingen, Ravi Shankar, and Giacomo Puccini. This unique, elements-based approach engages students in actively listening to the broadest range of music available for music appreciation.

目次

Part I Introduction to Active ListeningChapter 1 Music in Society: (Simple Gifts)Chapter 2 Our Response to MusicPart II Rhythm in MusicChapter 3 Grand Entry Song (Powwow Music) Beat, Accent, and TempoChapter 4 Meter (Klezmer Music- Bay a Glezele Mashke and Oy, Abram!) TraditionalChapter 5 Polyrhythm Shango (Babatunde Olatunji)Part III Melody in MusicChapter 6 Vocal Melody (Hildegard von Bingen)Chapter 7 Instrumental Melody (Ravi Shankar)Chapter 8 Vocal Melody in Opera (Giacomo Puccini)Part IV Harmony in MusicChapter 9 Harmony: The Four Seasons, Spring (Anotonio Vivaldi)Chapter 10 Harmonizing: This land is Your Land (Woody Guthrie), Bring Me Little Water Sylvie (Leadbelly [Huddie Ledbetter])Part V Dynamics, Timbre, and Texture in MusicChapter 11 A Western Ensemble: The Symphony Orchestra Chapter 12 A Non-Western Ensemble: The Balinese Gamelan (Gender Wayang) (Gending Petegak)Chapter 13 In the Recording Studio: Animal Crackers (Matt Ryan)Part VI Form in MusicChapter 14 Sectional Forms I: Huachos (Eduardo Villaroel and J. Mercado)Chapter 15 Sectional Forms II: Symphony No. 39 (Franz Joseph Haydn)Chapter 16 Continuous Forms I: Sultan Veled Peshrev (Dogan Ergin)Chapter 17 Continuous Forms II: Absalon, fili mi (Josquin Desprez)Chapter 18 Improvisation and Form: Suite Thursday (Duke Ellington and Billy Strayhorn)Appendix A Pronunciation GuideAppendix B Musician BiographiesListening ActivitiesDolphin Dreams (Jonathan Goldman)Simple Gifts (Elder Joseph Brackett)Appalachian Spring (Aaron Copland)Exodus (Bob Marley and the Wailers)Redemption Song (Bob Marley)Grand Entry Song (Little Otter Singers)Bay a Glezele Mashke (Klezmer Conservatory Band)Oy Abram! (Klezmer Conservatory Band)Shango (Babatunde Olatunji)De sancta Maria (Hildegard of Bingen)Maru-Bihag (Ravi Shankar)La Boheme, End of Act II (Giacomo Puccini)The Four Seasons (Antonio Vivaldi)This Land is Your Land (Woody Guthrie)Bring Me Little Water sylvie (Leadbelly [Huddie Ledbetter])The Young Person's Guide to the Orchestra (Benjamin Britten)Gending Petegak (Gender Wayang Pemarwan)Animal Crackers (Axigally)Huachos (Tramps)Symphony no. 39 (Franz Joseph Haydn)Sultan Veled Peshrev (Dogan Ergin)Absalon, fili mi (Josquin Desprez)Suite Thursday (Duke Ellington and Billy Strayhorn)

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詳細情報

  • NII書誌ID(NCID)
    BA64015103
  • ISBN
    • 0070272123
  • LCCN
    00033923
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Boston
  • ページ数/冊数
    xxv, 390 p.
  • 大きさ
    23 cm
  • 分類
  • 件名
  • 親書誌ID
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