Music in our world : an active-listening approach
著者
書誌事項
Music in our world : an active-listening approach
(McGraw-Hill higher education)
McGraw Hill, c2001
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes discographies and index
内容説明・目次
内容説明
Music in Our World is the first text in music appreciation completely devoted to the study of music elements and to investing students with active listening skills.
The text examines each musical element from a number of angles - completely integrating world music throughout the discussion. The three chapters on Melody, for example, cite the work of Hildegard of Bingen, Ravi Shankar, and Giacomo Puccini.
This unique, elements-based approach engages students in actively listening to the broadest range of music available for music appreciation.
目次
Part I Introduction to Active ListeningChapter 1 Music in Society: (Simple Gifts)Chapter 2 Our Response to MusicPart II Rhythm in MusicChapter 3 Grand Entry Song (Powwow Music) Beat, Accent, and TempoChapter 4 Meter (Klezmer Music- Bay a Glezele Mashke and Oy, Abram!) TraditionalChapter 5 Polyrhythm Shango (Babatunde Olatunji)Part III Melody in MusicChapter 6 Vocal Melody (Hildegard von Bingen)Chapter 7 Instrumental Melody (Ravi Shankar)Chapter 8 Vocal Melody in Opera (Giacomo Puccini)Part IV Harmony in MusicChapter 9 Harmony: The Four Seasons, Spring (Anotonio Vivaldi)Chapter 10 Harmonizing: This land is Your Land (Woody Guthrie), Bring Me Little Water Sylvie (Leadbelly [Huddie Ledbetter])Part V Dynamics, Timbre, and Texture in MusicChapter 11 A Western Ensemble: The Symphony Orchestra Chapter 12 A Non-Western Ensemble: The Balinese Gamelan (Gender Wayang) (Gending Petegak)Chapter 13 In the Recording Studio: Animal Crackers (Matt Ryan)Part VI Form in MusicChapter 14 Sectional Forms I: Huachos (Eduardo Villaroel and J. Mercado)Chapter 15 Sectional Forms II: Symphony No. 39 (Franz Joseph Haydn)Chapter 16 Continuous Forms I: Sultan Veled Peshrev (Dogan Ergin)Chapter 17 Continuous Forms II: Absalon, fili mi (Josquin Desprez)Chapter 18 Improvisation and Form: Suite Thursday (Duke Ellington and Billy Strayhorn)Appendix A Pronunciation GuideAppendix B Musician BiographiesListening ActivitiesDolphin Dreams (Jonathan Goldman)Simple Gifts (Elder Joseph Brackett)Appalachian Spring (Aaron Copland)Exodus (Bob Marley and the Wailers)Redemption Song (Bob Marley)Grand Entry Song (Little Otter Singers)Bay a Glezele Mashke (Klezmer Conservatory Band)Oy Abram! (Klezmer Conservatory Band)Shango (Babatunde Olatunji)De sancta Maria (Hildegard of Bingen)Maru-Bihag (Ravi Shankar)La Boheme, End of Act II (Giacomo Puccini)The Four Seasons (Antonio Vivaldi)This Land is Your Land (Woody Guthrie)Bring Me Little Water sylvie (Leadbelly [Huddie Ledbetter])The Young Person's Guide to the Orchestra (Benjamin Britten)Gending Petegak (Gender Wayang Pemarwan)Animal Crackers (Axigally)Huachos (Tramps)Symphony no. 39 (Franz Joseph Haydn)Sultan Veled Peshrev (Dogan Ergin)Absalon, fili mi (Josquin Desprez)Suite Thursday (Duke Ellington and Billy Strayhorn)
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