Performing Brahms : early evidence of performance style
Author(s)
Bibliographic Information
Performing Brahms : early evidence of performance style
(Musical performance and reception)
Cambridge University Press, 2003
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Note
Includes bibliography (p. 373-381) and index
Includes audio CD as insert
Contents of Works
- How different was Brahms's playing style from our own? / Bernard D.Sherman
- Performing Brahms's music : clues from his letters / Styra Avins
- Joachim's violin playing and the performance of Brahms's string music / Clive Brown
- Metronome marks, timings and other period evidence regarding tempo in Brahms / Bernard D. Sherman
- Perfromance issues in A German Requiem / Michael Musgrave
- A German Requiem to words of Holy Scriptue for soloists, choir, and orchestra (organ ad libitum), from Der deutsche Gesangverein / Siegfried Ochs, introduced and translated by Michael Musgrave
- Fanny Davis and Brahms's late chamber music / George S. Bozarth
- Flexible tempo and nuancing in orchestral music : understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony / Robert Pascall and Philip Weller
- Brahms in the Meiningen tradition : his symphonies and Haydn Variations in the markings by Fritz Steinbach / edited by Walter Blume. excerpt: The First Symphony, introduced and translated by Walter Frisch
- In search of Brahms's First Symphony : Steinbach, the Meiningen tradition, and the recordings of Hermann Abendroth / Walter Frisch
- Early trends in the performance of Brahms's piano music / Michael Musgrave
- Performing brahms in the style hongrois / Jonathan Bellman
- Brahms's musical world : balancing the evidence / Robert Philip