Women, music and faith in central Appalachia
著者
書誌事項
Women, music and faith in central Appalachia
（Studies in women and religion, v. 40）
Edwin Mellen Press, c2001
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Both urban Appalachian and evangelical Christianity - as embodied in Appalachian women's folk art and music - and process theology as articulated by John B. Cobb Jr, and those he has mentored, share an existentialist eschatology that emphasizes the salvific quality of individual life in the present rather than hope in the future. Process theodicy lacks a rich aesthetic, symbolic or ritual tradition through which to express these beliefs and thus is often criticized for its seeming lack of applicability to Christian life and nurture. Urban Appalachian women's folk art and music, however, is widely celebrated for its powerful emotional impact, but its multivalent symbolism is seldom explored for theological insight. This project explores the ways in which these two marginal Christian existential theological traditions share common beliefs, articulate them in radically different ways with radically different results, and thus might learn from one another.
目次
- Appalachian women's ballads as a narrative
- resource for theodicy - introduction to methods
- livin' city, feelin' country - Appalachian migrants in the urban Midwest
- fly pretty bird - Appalachian migrant women's perspectives on identity
- theological perspectives on the problems of evil and pain - process philosophers, feminist theologians, and urban Appalachian women
- wasn't God who made honky tonk angels - a constructive response to urban Appalachian women's theodicies.
「Nielsen BookData」 より