A history of experimental film and video : from canonical avant-garde to contemporary British practice
著者
書誌事項
A history of experimental film and video : from canonical avant-garde to contemporary British practice
BFI Publishing, 1999
- : hbk
- : pbk
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注記
Includes bibliographical references (p. 121-149) and index
Description based on reprinted 2002
内容説明・目次
内容説明
Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.
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