Elizabeth Barrett and Robert Browning : a creative partnership
Author(s)
Bibliographic Information
Elizabeth Barrett and Robert Browning : a creative partnership
(Nineteenth century series)
Ashgate, c2003
Available at 12 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [217]-226) and index
Description and Table of Contents
Description
Examining the creative partnership of Elizabeth Barrett and Robert Browning, this volume provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. First attracted to each other by similarities in their poetry, the Brownings were both scholarly poets, and continually experimented with versification. Through their famous courtship correspondence of 1845-46, this cerebral attraction developed into creative exchange, erotic passion, and a reciprocal professional partnership. Pollock shows how, against the critical tide of the time, Elizabeth Barrett Browning became Robert Browning's most sympathetic reader and his most astute critic-and how in return, Robert Browning encouraged his wife to challenge the "poetess" stereotype by writing about the public sphere, and to risk critical censure by commenting honestly in her work about the real lives of men and women. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence.
Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward.
Table of Contents
- Art and inexperience 1806-1844
- Elizabeth Barrett Moulton Barrett
- Robert Browning
- A broken poem 1844-1846
- Double voices 1844-1846
- Browning beside himself 1847-1851
- Giotto's tower 1847-1851
- A gallery of voices 1851-1855
- "What form is best?" 1852-1856.
by "Nielsen BookData"