Whistler, Sargent, and Steer : impressionists in London from Tate collections
著者
書誌事項
Whistler, Sargent, and Steer : impressionists in London from Tate collections
Frist Center for the Visual Arts, c2002
- : cloth
- : paper
- タイトル別名
-
Impressionists in London from Tate collections
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Exhibition catalogue
Catalog of an exhibition held at Frist Center for the Visual Arts, Nashville, Tenn., Oct. 11, 2002-Jan. 5, 2003
"An exhibition organized in collaboration with Tate London" -- T.p. verso
内容説明・目次
内容説明
Arriving at their mature styles independently of one another, the renowned American expatriate painters James McNeill Whistler and John Singer Sargent and the British artist Philip Wilson Steer are often credited with bringing modern art to London near the end of the 19th century. Inspired by the lively brushwork of painters from Velazquez to Monet, each of these artists developed a distinctive approach to Impressionism, utilizing spontaneously applied strokes of paint and closely modulated colors to capture the effects of light as it played across the figure and landscape. This selection of masterworks by the three artists reveals the stylistic links that give evidence of their shared aesthetic lineage. Essays by Tate curator David Fraser Jenkins and art historian Avis Berman provide insight into their lives and works within the cultural milieu of fin-de-siecle London, including the experiences of the young and somewhat eccentric aesthete W. Graham Robertson.
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