The taste of the town : Shakespearean comedy and the early eighteenth-century theater
Author(s)
Bibliographic Information
The taste of the town : Shakespearean comedy and the early eighteenth-century theater
(The Bucknell studies in eighteenth-century literature and culture)
Bucknell University Press , Associated University Presses, c2003
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 288-313) and index
Description and Table of Contents
Description
This book is a comprehensive study of the reception history of Shakespeare's comedies within the context of Restoration and early eighteenth-century theater, from 1660 until the Licensing Act of 1737. In the absence of an overarching methodology or ideology about how to adapt Shaekspeare, eighteenth-century playwright were motivated by popular taste and shaped Shakespeare accordingly. Shakespeare's comedies provided ideal raw material to adjust to current theatrical and cultural trends such as the popularity of music and dance, changing forms of comedy, political controversies, the fluidity of acting companies, the development of dramatic forms, and the influence of print culture. A recently edited play, a popular comic actor, a new musical composer, or a novel of constructing a dramatic piece affected the ways Shakespeare's comedies were reshaped according to local theatrical condtitions.
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