The play of ideas in Russian Enlightenment theater
著者
書誌事項
The play of ideas in Russian Enlightenment theater
Northern Illinois University Press, c2003
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [249]-285) and index
内容説明・目次
内容説明
How did enlightened Russians of the eighteenth century understand society? And how did they reconcile their professed ideals of equality and justice with the authoritarian political structures in which they lived? Historian Elise Wirtschafter turns to literary plays to reconstruct the social thinking of the past and to discover how Enlightenment Russians understood themselves.
Opening with an illuminating discussion of the development of theater in eighteenth-century Russia, Wirtschafter goes on to explore dramatic representations of key social questions. Based on an examination of nearly 300 secular plays written during the last half of the century, she shows how dramas for the stage represented and debated important public issues-such as the nature of the common good, the structure of the patriarchal household, the duty of monarchs, and the role of the individual in society.
Wirtschafter presents a striking reconstruction of the way educated Russians conceptualized a society beyond the immediate spheres of household and locality. Seeking to highlight problems of "social consciousness," she asks what Enlightenment Russians thought about social experience-and how their ideas related to actual social relationships in a society organized around serfdom and absolute monarchy. She portrays Russian Enlightenment culture on its own terms, while at the same time shedding light on broader problems of social order and political authority in imperial Russia.
目次
Table of Contents
Preface
1. Theater and Society
2. The Social Meaning of Plays
3. The Patriarchal Household
4. Civic Society
5. The Common Good
6. Moral Monarchy
Conclusion-The Individual in Society and Polity
Appendix-Biographies of Authors
Abbreviations
Notes
Bibliography
Index
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