Tragedy and Athenian religion
著者
書誌事項
Tragedy and Athenian religion
(Greek studies)
Lexington Books, c2003
- : pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [519]-541
Includes index
内容説明・目次
内容説明
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways— rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
目次
Part 1 Tragedy, Audiences, and Religion Chapter 2 Tragedy and Religion: Shifting Perspectives and Ancient Filters Chapter 3 Setting Out the Distances: Religion, Audiences, and the World of Tragedy Part 4 The Ritual Context Chapter 5 The Great Dionysia: a Reconstruction Chapter 6 [Re]Constructing the Beginnings Chapter 7 The Great Dionysia and the "Ritual Matrix" of Tragedy Part 8 Religion and the Fifth-Century Tragedians Chapter 9 "Starting" with Aeschylus Chapter 10 From Phyrynichos to Euripides: the Tragic Choruses Chapter 11 Euripidean Tragedy and Religious Exploration Chapter 12 Walking Among Mortals? Modalities of Divine Appearance in Aeschylus, Sophocles, and Euripides Part 13 A Summary of the Central Conclusion
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