Collecting prints and drawings in Europe, c. 1500-1750
Author(s)
Bibliographic Information
Collecting prints and drawings in Europe, c. 1500-1750
Ashgate in association with the Burlington magazine, c2003
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 205-218) and index
"The essays gathered together in this volume were almost all presented as papers at a conference on the Collecting of Prints and Drawings in Europe organized by The Burlington Magazine and held at the National Gallery London" -- p. xvii
"The conference was made possible because of a much-cherished collaboration between the Magazine and the Getty Provenance Index" -- p. xvii
Description and Table of Contents
Description
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Table of Contents
- Contents: Introduction, Genevieve Warwick
- The archaeology of the print, Antony Griffiths
- The print collection of Ferdinand Columbus (1488-1539), David Landau
- A Roman collector of the sixteenth century: Antonio Tronsarelli, Matteo Lafranconi
- Giulio Mancini and the organisation of a print collection in early seventeenth-century Italy, Michael Bury
- Nicholas Lanier (1558-1666) and the origins of drawing collecting in Stuart England, Jeremy Wood
- Sir Peter Lely's collection of prints and drawings, Diana Dethloff
- Connoisseurship and the collection of drawings in Italy c.1700: the case of Padre Sebastiano Resta, Genevieve Warwick
- 'A judiciously disposed collection': Jonathan Richardson Senior's cabinet of drawings, Carol Gibson-Wood
- The drawings collection of Pierre Crozat, (1675-1740) Cordelia Hatton
- The Italian Drawings Collection of Cavaliere Francesco Maria NiccolA(2) Gabburri (1676-1742) Nicholas Turner
- Bibliography
- Index.
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