書誌事項

Manet and the sea

Juliet Wilson-Bareau and David Degener ; with contributions by Lloyd DeWitt ... [et al.]

Art Institute of Chicago , Philadelphia Museum of Art , Van Gogh Museum in association with Yale University Press, c2003

  • : cloth
  • : Yale : cloth

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注記

Catalog of an exhibition held at the Art Institute of Chicago, Oct. 20, 2003-Jan. 19, 2004, the Philadelphia Museum of Art, Feb. 15-May 30, 2004, and the Van Gogh Museum, Amsterdam, June 18-Sept. 26, 2004

Bibliography: p. 263-268

Includes index

内容説明・目次

内容説明

This exhibition catalogue focuses on Manet's maritime paintings. Edouard Manet (1832 -1883) was passionate about the sea. Before becoming a painter, he spent six months at sea and, like many Europeans of his era, he took numerous seaside holidays. Manet made his public debut as a marine painter at the Paris Salon of 1864 with "The Battle of the USS 'Kearsarge' and the CSS 'Alabama'", his dramatic depiction of a US Civil War naval battle off the coast of France, and he continued to paint seascapes throughout his career. These extraordinary works clearly reflect his intimate knowledge of and love for maritime vessels and the sea. "Manet and the Sea" highlights the French master's beautiful and varied seascapes. Essays by leading scholars discuss how Manet completely overturned the established academic conventions of marine painting in France. His provocative approach was equal to that of his contemporary Gustave Courbet, and his bold and innovative techniques inspired many younger artists, including Claude Monet, Berthe Morisot, James McNeill Whistler and Pierre-Auguste Renoir. Essays on these and other artists place their seascapes in relation to Manet's pictures.

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