Clio, Eros, Thanatos : the 'novela sentimental' in context
著者
書誌事項
Clio, Eros, Thanatos : the 'novela sentimental' in context
（Currents in comparative Romance languages and literatures, v. 98）
P. Lang, c2001
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注記
Includes bibliographical references (p. [267]-279) and index
内容説明・目次
内容説明
Clio, Eros, Thanatos argues that the sentimental mode plays itself out along a scale from the chivalric to the pornographic, thereby encompassing amatory narratives both chaste and erotic. The texts studied - Le Chevalier de la Charette, Carcel de amor, Celestina, and La Princesse de Cleves - implicate both private and public realms in an irresistible drive toward an impossible unity, the result of which is usually a form of death. Here, desire is never dealt with on a simple, bodily level, but rather is analyzed according to some ethical, moral, rational, or political criteria, which turns love into an aesthetic, rather than a mimetic, phenomenon. Already in the fifteenth century, the Spanish novela sentimental presents the evidence for the erotic paradox, which dominates the sentimental mode, that argues that desire/ love is ethically and aesthetically enobling, and at the same time, morally subversive and destructive.
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