The films of Ingmar Bergman
著者
書誌事項
The films of Ingmar Bergman
（Cambridge film classics）
Cambridge University Press, 2003
- : hbk
- : pbk
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注記
"Filmography": p. 235-244
Includes bibliographical references (p. 227-233) and index
内容説明・目次
内容説明
This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman's conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman's films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman examines these themes cinematically, through close analysis of eight films: well known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and important but lesser known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage.
目次
- 1. Introduction: The geography of the soul
- Part I. The Films of the Fifties: 2. The primal seen: The Clowns' Evening
- 3. The journey: The Seventh Seal and Wild Strawberries
- 4. The great dance: Smiles of a Summer Night
- Part II: Second Thoughts: 5. A dream play: Shame
- 6. The illiterates: Cries and Whispers, Scenes from a Marriage, and the Films of the 1970s
- Part III: A Final Look: 7. The little world: Fanny and Alexander
- Afterwards: Biographical note
- Bergman and existentialism: a brief comment
- A note on Woody Allen
- Appendix.
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