The expediency of culture : uses of culture in the global era
著者
書誌事項
The expediency of culture : uses of culture in the global era
（Post-contemporary interventions / series editors, Stanley Fish & Fredric Jameson）
Duke University Press, 2003
- : cloth
- : pbk
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注記
Includes bibliographical references (p. [391]-452) and index
内容説明・目次
内容説明
The Expediency of Culture is a pioneering theorization of the changing role of culture in an increasingly globalized world. George Yudice explores critically how groups ranging from indigenous activists to nation-states to nongovernmental organizations have all come to see culture as a valuable resource to be invested in, contested, and used for varied sociopolitical and economic ends. Through a dazzling series of illustrative studies, Yudice challenges the Gramscian notion of cultural struggle for hegemony and instead develops an understanding of culture where cultural agency at every level is negotiated within globalized contexts dominated by the active management and administration of culture. He describes a world where "high" culture (such as the Guggenheim Museum in Bilbao, Spain) is a mode of urban development, rituals and everyday aesthetic practices are mobilized to promote tourism and the heritage industries, and mass culture industries comprise significant portions of a number of countries' gross national products.Yudice contends that a new international division of cultural labor has emerged, combining local difference with transnational administration and investment. This does not mean that today's increasingly transnational culture-exemplified by the entertainment industries and the so-called global civil society of nongovernmental organizations-is necessarily homogenized. He demonstrates that national and regional differences are still functional, shaping the meaning of phenomena from pop songs to antiracist activism. Yudice considers a range of sites where identity politics and cultural agency are negotiated in the face of powerful transnational forces. He analyzes appropriations of American funk music as well as a citizen action initiative in Rio de Janeiro to show how global notions such as cultural difference are deployed within specific social fields. He provides a political and cultural economy of a vast and increasingly influential art event- insite a triennial festival extending from San Diego to Tijuana. He also reflects on the city of Miami as one of a number of transnational "cultural corridors" and on the uses of culture in an unstable world where censorship and terrorist acts interrupt the usual channels of capitalist and artistic flows.
目次
Acknowledgments vii
Introduction 1
1 The Expediency of Culture 9
2 The Social Imperative to Perform 40
3 The Globalization of Culture and the New Civil Society 82
4 The Funkification of Rio 109
5 Parlaying Culture into Social Justice 133
6 Consumption and Citizenship? 160
7 The Globalization of Latin America: Miami 192
8 Free Trade and Culture 214
9 Producing the Cultural Economy: The Collaborative Art of inSITE 287
Conclusion 338
Notes 363
Works Cited 391
Index 453
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