Staging masculinities : history, gender, performance

著者

書誌事項

Staging masculinities : history, gender, performance

Michael Mangan

Palgrave Macmillan, 2003

1st ed.

  • : pbk.
  • : hbk.

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注記

Includes bibliographical references (p. 249-265) and index

内容説明・目次

内容説明

One man in his time plays many parts/His acts being seven ages', asserts Shakespeare's Jacques, in a speech which foreshadows what has become a commonplace of contemporary gender theory: that masculinity, far from being a secure, unproblematic gender identity, is a site of crisis and contradictions. Staging Masculinities engages with the complex and paradoxical history of masculinities by exploring the ways in which changing concepts of what it means 'to be a man' have been represented, celebrated, examined and critiqued on mainstream Western - and particularly English - stages. Mapping a history of masculinities onto a history of theatre, Michael Mangan analyses a wide range of plays and performances, from Henry V to Peter Pan, and from medieval liturgical drama to contemporary West-End hits. In the process Mangan offers new and gendered readings of several familiar plays, and traces an intricate relationship between theatrical performance and gender performance.

目次

Preface and Acknowledgements.- Staging Masculinities: Introduction and Orientation.- Staging Medieval Masculinities.- Sighing Like a Furnace and Full of Strange Oaths: Lovers and Soldiers in Shakespeare.- The Spectacle of Masculinity in the Restoration Theatre.- Outlaws and Sentiment: Masculinities in the Eighteenth-Century Theatre.- Doll's Houses and Wendy Houses: Masculinities on Nineteenth and Early Twentieth-Century Stages.- Contemporary Masculinities.- Bibliography.- Index.

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